"Maybe I was 7 - I probably am exaggerating a little - and immediately was plunged into the fact that there was an official place to put your fantasies. Up until then I didn't know what I would do with them all. It was very exciting for me, and I began very, very early on"
About this Quote
He starts by undercutting himself: "Maybe I was 7 - I probably am exaggerating a little". That casual self-edit is doing real work. It signals a performer’s instinct for timing, but also a refusal to mythologize the origin story too neatly. In an industry that loves tidy narratives ("I knew from birth"), Balaban’s hedging reads as credibility: memory is fuzzy, ego is optional.
The core revelation is almost bureaucratic in its phrasing: "an official place to put your fantasies". Not a mystical calling, not even "art" in the grand sense - an official place. That word choice frames acting as permission. Childhood imagination is usually private, even slightly illicit, something you’re supposed to outgrow or keep to yourself. Balaban describes the shock of discovering an institution that not only tolerates fantasy but files it, schedules it, pays for it. The subtext is that what we label "creativity" often needs infrastructure to become a life: a stage, a classroom, a set, a community that says, yes, this counts.
"Up until then I didn't know what I would do with them all" hints at excess - fantasies as a surplus that can feel like clutter or loneliness without an outlet. The excitement isn’t just joy; it’s relief. "Plunged" suggests immediacy and immersion, like falling into a pool you didn’t know existed. When he ends with "very, very early on", the repetition isn’t emphasis for its own sake; it’s a kind of marveling at how early the world offered him a container for the unruly interior.
The core revelation is almost bureaucratic in its phrasing: "an official place to put your fantasies". Not a mystical calling, not even "art" in the grand sense - an official place. That word choice frames acting as permission. Childhood imagination is usually private, even slightly illicit, something you’re supposed to outgrow or keep to yourself. Balaban describes the shock of discovering an institution that not only tolerates fantasy but files it, schedules it, pays for it. The subtext is that what we label "creativity" often needs infrastructure to become a life: a stage, a classroom, a set, a community that says, yes, this counts.
"Up until then I didn't know what I would do with them all" hints at excess - fantasies as a surplus that can feel like clutter or loneliness without an outlet. The excitement isn’t just joy; it’s relief. "Plunged" suggests immediacy and immersion, like falling into a pool you didn’t know existed. When he ends with "very, very early on", the repetition isn’t emphasis for its own sake; it’s a kind of marveling at how early the world offered him a container for the unruly interior.
Quote Details
| Topic | Writing |
|---|
More Quotes by Bob
Add to List


