"Meaning, however, is no great matter"
About this Quote
“Meaning, however, is no great matter” lands like a polite shrug in the middle of Victorian seriousness, and that’s exactly the point. Calverley - a poet celebrated for parody and light verse - is performing a kind of literary heckle. In an era that often treated poetry as moral equipment (edifying, improving, properly significant), he slips in a deadpan refusal to play along. The line doesn’t argue that meaning is worthless; it punctures the anxious prestige around meaning, the way readers and critics can demand “the point” as proof that art deserves its seat at the adult table.
The “however” is the tell. It concedes the premise that meaning is the thing we’re meant to be hunting, then calmly downgrades it. That rhetorical move is classic Calverley: wit as misdirection, a genteel surface concealing a slightly feral skepticism. The subtext is anti-solemnity. He’s defending pleasure, sound, rhythm, surprise - the linguistic aerobics that get dismissed as mere ornament when a poem can’t be paraphrased into a tidy takeaway.
Context matters, too: Calverley’s reputation rests on comic precision, on poems that show how language can be intelligent without being earnest. This line doubles as a warning against over-reading. If you insist that every poem must behave like a sermon or a manifesto, you’ll miss what poetry can do when it’s allowed to be nimble, unserious, and still razor-sharp. The provocation is that “no great matter” might be the most honest aesthetic manifesto in the room.
The “however” is the tell. It concedes the premise that meaning is the thing we’re meant to be hunting, then calmly downgrades it. That rhetorical move is classic Calverley: wit as misdirection, a genteel surface concealing a slightly feral skepticism. The subtext is anti-solemnity. He’s defending pleasure, sound, rhythm, surprise - the linguistic aerobics that get dismissed as mere ornament when a poem can’t be paraphrased into a tidy takeaway.
Context matters, too: Calverley’s reputation rests on comic precision, on poems that show how language can be intelligent without being earnest. This line doubles as a warning against over-reading. If you insist that every poem must behave like a sermon or a manifesto, you’ll miss what poetry can do when it’s allowed to be nimble, unserious, and still razor-sharp. The provocation is that “no great matter” might be the most honest aesthetic manifesto in the room.
Quote Details
| Topic | Meaning of Life |
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