"Men like women who write. Even though they don't say so. A writer is a foreign country"
About this Quote
Duras hands you a flirtation that doubles as a warning. "Men like women who write. Even though they don't say so" sketches desire as something publicly denied and privately consumed: men are attracted to female authorship because it promises access to a mind that is not merely decorative, yet that same autonomy threatens the social arrangement in which men get to be the narrators. The silence she points to is the tell. If men admitted the appeal, they would also have to admit the power shift: a woman who writes is a woman who frames reality, assigns motives, and refuses to be reduced to someone else's plot.
"A writer is a foreign country" turns authorship into geography - alluring, exotic, ungovernable. Foreignness here isn't just difference; it's sovereignty. The writer carries her own laws, her own language, her own borders. To enter is to risk being translated, misread, or changed. It's also a sly reversal of the usual gendered travel narrative: women are so often cast as territory to be explored. Duras makes the writer the traveler and the land at once, unreachable on anyone else's terms.
Coming from a mid-century French novelist who wrote relentlessly about desire, power, and the violence of being looked at, the line reads like a field report from the front. Men may "like" women who write, but liking is cheap. The real question is whether they can tolerate what writing makes visible: that the woman is not the muse. She's the country.
"A writer is a foreign country" turns authorship into geography - alluring, exotic, ungovernable. Foreignness here isn't just difference; it's sovereignty. The writer carries her own laws, her own language, her own borders. To enter is to risk being translated, misread, or changed. It's also a sly reversal of the usual gendered travel narrative: women are so often cast as territory to be explored. Duras makes the writer the traveler and the land at once, unreachable on anyone else's terms.
Coming from a mid-century French novelist who wrote relentlessly about desire, power, and the violence of being looked at, the line reads like a field report from the front. Men may "like" women who write, but liking is cheap. The real question is whether they can tolerate what writing makes visible: that the woman is not the muse. She's the country.
Quote Details
| Topic | Writing |
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