"Mike gets to play four roles this time, if we ever did it again, he will play my role as well. He is a comic genius, everyone wants to be in this movie, let's hope that everyone will wish to see it as well"
About this Quote
There is a particular kind of actor-to-actor praise that doubles as salesmanship, and Michael York nails it here: generous, slightly hyperbolic, and calibrated for a press line that still feels personal. The “Mike” is doing a lot of work. It’s intimate shorthand, a backstage nickname that invites the audience into the production’s inner circle. That small familiarity makes the big claim - “comic genius” - land as affection rather than pure marketing.
The specific intent is twofold: to elevate a collaborator (likely the film’s comedic engine) and to project an atmosphere of creative abundance. “Four roles this time” signals bravura and range, but it’s also a wink at the tradition of comic performers wearing multiple masks. York’s kicker - “if we ever did it again, he will play my role as well” - is mock self-erasure, a veteran performer jokingly conceding the spotlight. It flatters the other actor while positioning York as secure, game, and in on the joke.
Then the pitch arrives, dressed as hope: “everyone wants to be in this movie.” That’s classic industry myth-making, the idea that the set is a party you weren’t invited to. The final line quietly acknowledges the risk: acclaim inside the bubble doesn’t guarantee an audience outside it. York’s “let’s hope” is the tell - the charm offensive is trying to bridge that gap, turning camaraderie into curiosity, and curiosity into tickets.
The specific intent is twofold: to elevate a collaborator (likely the film’s comedic engine) and to project an atmosphere of creative abundance. “Four roles this time” signals bravura and range, but it’s also a wink at the tradition of comic performers wearing multiple masks. York’s kicker - “if we ever did it again, he will play my role as well” - is mock self-erasure, a veteran performer jokingly conceding the spotlight. It flatters the other actor while positioning York as secure, game, and in on the joke.
Then the pitch arrives, dressed as hope: “everyone wants to be in this movie.” That’s classic industry myth-making, the idea that the set is a party you weren’t invited to. The final line quietly acknowledges the risk: acclaim inside the bubble doesn’t guarantee an audience outside it. York’s “let’s hope” is the tell - the charm offensive is trying to bridge that gap, turning camaraderie into curiosity, and curiosity into tickets.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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