"Mischief springs from the power which the moneyed interest derives from a paper currency which they are able to control, from the multitude of corporations with exclusive privileges... which are employed altogether for their benefit"
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Jackson is doing what he did best: turning monetary policy into a morality play with villains you can point at. “Mischief” isn’t a neutral malfunction in the system; it’s a deliberate product of power. By blaming “the moneyed interest” and the paper currency they can “control,” he frames finance as a kind of invisible government - one that operates through credit, banknotes, and insider access rather than ballots. The target is unmistakable: the Second Bank of the United States and the broader alliance of financiers and well-connected chartered companies that Jackson believed could throttle the economy at will.
The subtext is democratic paranoia, sharpened into populist clarity. “Exclusive privileges” is the knife twist: corporations aren’t just businesses here, they’re state-granted exceptions to the common rules. Jackson’s America is supposed to be a republic of equal citizens; corporate charters and a central bank look like a rerun of aristocracy, only with ledgers instead of titles. He’s also warning that paper money isn’t merely paper - it’s leverage. Whoever regulates issuance and credit can decide which regions grow, which farmers get crushed by tightening, which newspapers and politicians get funded.
Context matters: the Bank War wasn’t an abstract argument about monetary stability; it was a referendum on who gets to steer the nation’s economic destiny. Jackson’s phrasing weaponizes suspicion of concentrated power and turns technical finance into a democratic grievance. It works because it translates institutional complexity into a story about capture: public tools redirected “altogether for their benefit.”
The subtext is democratic paranoia, sharpened into populist clarity. “Exclusive privileges” is the knife twist: corporations aren’t just businesses here, they’re state-granted exceptions to the common rules. Jackson’s America is supposed to be a republic of equal citizens; corporate charters and a central bank look like a rerun of aristocracy, only with ledgers instead of titles. He’s also warning that paper money isn’t merely paper - it’s leverage. Whoever regulates issuance and credit can decide which regions grow, which farmers get crushed by tightening, which newspapers and politicians get funded.
Context matters: the Bank War wasn’t an abstract argument about monetary stability; it was a referendum on who gets to steer the nation’s economic destiny. Jackson’s phrasing weaponizes suspicion of concentrated power and turns technical finance into a democratic grievance. It works because it translates institutional complexity into a story about capture: public tools redirected “altogether for their benefit.”
Quote Details
| Topic | Money |
|---|---|
| Source | Message to Congress vetoing recharter of the Bank of the United States, 10 July 1832 — Andrew Jackson (contains line beginning 'Mischief springs from the power which the moneyed interest derives from a paper currency...') |
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