"Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it"
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Paglia makes bodybuilding sound less like a niche gym hobby and more like the West’s most literal self-mythologizing. The line is built as a piling-on incantation: ritual, religion, sport, art, science. Each noun grants legitimacy from a different cultural institution, until the bodybuilder isn’t merely training but practicing a total worldview. That’s Paglia’s favorite move: take something the educated classes dismiss as vulgar and reveal it as a concentrated form of the civilization they claim to understand.
“Awash in Western chemistry and mathematics” is the pivot from heroic classicism to late-capitalist modernity. The physique is no longer just Apollonian sculpture; it’s engineered. The phrase smuggles in steroids, supplements, calorie spreadsheets, and the quantified self, but she dignifies it with the language of Enlightenment mastery. There’s admiration here, but it’s edged with unease. “Awash” implies saturation, excess, maybe contamination: the body as a lab, the gym as a small-scale industrial site.
Then the provocation: “Defying nature, it surpasses it.” Paglia’s subtext is that “nature” isn’t a sacred boundary; it’s an opponent, a raw material, a mother you wrestle. She’s also poking at moral panics about artificiality. In her framing, artifice is not betrayal but culture’s signature achievement. Contextually, this fits her long-standing argument that sexuality, gender display, and aesthetics are driven by deep biological forces yet constantly stylized into spectacle. Bodybuilding becomes the perfect Paglian emblem: primal aggression and erotic display, disciplined into geometry by modern technique, daring us to admit how much we enjoy the defiance.
“Awash in Western chemistry and mathematics” is the pivot from heroic classicism to late-capitalist modernity. The physique is no longer just Apollonian sculpture; it’s engineered. The phrase smuggles in steroids, supplements, calorie spreadsheets, and the quantified self, but she dignifies it with the language of Enlightenment mastery. There’s admiration here, but it’s edged with unease. “Awash” implies saturation, excess, maybe contamination: the body as a lab, the gym as a small-scale industrial site.
Then the provocation: “Defying nature, it surpasses it.” Paglia’s subtext is that “nature” isn’t a sacred boundary; it’s an opponent, a raw material, a mother you wrestle. She’s also poking at moral panics about artificiality. In her framing, artifice is not betrayal but culture’s signature achievement. Contextually, this fits her long-standing argument that sexuality, gender display, and aesthetics are driven by deep biological forces yet constantly stylized into spectacle. Bodybuilding becomes the perfect Paglian emblem: primal aggression and erotic display, disciplined into geometry by modern technique, daring us to admit how much we enjoy the defiance.
Quote Details
| Topic | Fitness |
|---|---|
| Source | Help us find the source |
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