"Money, it's a gas. Grab that cash with both hands and make a stash"
About this Quote
Money, in Pink Floyd's hands, isn't just currency; it's a mood-altering substance, a propulsive high with a hangover baked in. Calling it "a gas" lands as slangy pleasure and chemical metaphor at once: something you inhale, something that lifts you, something that can quietly replace oxygen. The next line snaps from wink to instruction manual: "Grab that cash with both hands and make a stash". The phrasing is cartoon-simple, almost childish, which is the point. Greed doesn't need philosophy; it needs reflex.
The intent isn't to preach thrift or purity. It's to stage the seduction of capitalism in its most honest voice: blunt, physical, two-handed. The verb "grab" evokes panic and appetite, while "stash" suggests secrecy, hoarding, a private bunker against an anxious world. The subtext is that the system trains us to treat accumulation as safety and superiority, even as it shrinks our moral vocabulary to grab-and-hide.
Context does half the work. "Money" sits on The Dark Side of the Moon (1973), an album about pressure: time, madness, status, mortality. The song's swagger mirrors the thing it's critiquing, folding listeners into the groove the way consumer culture folds us into participation. Even the hookiness feels like complicity. Pink Floyd understand that money's real power isn't that it's evil; it's that it feels good, it feels smart, it feels like control. That's the trap, neatly rhymed and easily memorized.
The intent isn't to preach thrift or purity. It's to stage the seduction of capitalism in its most honest voice: blunt, physical, two-handed. The verb "grab" evokes panic and appetite, while "stash" suggests secrecy, hoarding, a private bunker against an anxious world. The subtext is that the system trains us to treat accumulation as safety and superiority, even as it shrinks our moral vocabulary to grab-and-hide.
Context does half the work. "Money" sits on The Dark Side of the Moon (1973), an album about pressure: time, madness, status, mortality. The song's swagger mirrors the thing it's critiquing, folding listeners into the groove the way consumer culture folds us into participation. Even the hookiness feels like complicity. Pink Floyd understand that money's real power isn't that it's evil; it's that it feels good, it feels smart, it feels like control. That's the trap, neatly rhymed and easily memorized.
Quote Details
| Topic | Money |
|---|---|
| Source | Lyric from the song "Money" (1973), written by Roger Waters; performed by Pink Floyd on the album The Dark Side of the Moon (line: "Money, it's a gas. Grab that cash with both hands and make a stash"). |
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