"More men than women like 'Strangers With Candy'. Pretty girls don't like the show. They don't like to see an ugly lady"
About this Quote
Sedaris gets away with a mean little truth by delivering it as a shrug. On the surface, she is just reporting demographics: more men than women watch Strangers With Candy; “pretty girls” don’t. Underneath, she’s poking at the silent contract of a lot of mainstream comedy and TV: women are often expected to be decorative even when they’re funny, and audiences are trained to treat female “ugliness” as an affront rather than a bit.
The jab isn’t really at “pretty girls” as individuals; it’s at the cultural grooming that tells them what they’re supposed to want from a screen. Men, she implies, get more permission to enjoy grotesquerie without feeling personally implicated. Women are asked to identify, aspire, compare. An “ugly lady” disrupts that pipeline. Sedaris is also doing a sly self-defense: if women don’t like the show, it’s not because the humor fails - it’s because the show refuses to flatter them.
Context matters: Strangers With Candy is built around Jerri Blank, a deliberately unglamorous antihero who weaponizes bad taste, physical awkwardness, and moral rot. Sedaris is foregrounding how rare it still is for a female performer to anchor comedy without the alibi of likability or attractiveness. The punchline is that “ugly” here isn’t a look; it’s a refusal to perform femininity on demand.
The jab isn’t really at “pretty girls” as individuals; it’s at the cultural grooming that tells them what they’re supposed to want from a screen. Men, she implies, get more permission to enjoy grotesquerie without feeling personally implicated. Women are asked to identify, aspire, compare. An “ugly lady” disrupts that pipeline. Sedaris is also doing a sly self-defense: if women don’t like the show, it’s not because the humor fails - it’s because the show refuses to flatter them.
Context matters: Strangers With Candy is built around Jerri Blank, a deliberately unglamorous antihero who weaponizes bad taste, physical awkwardness, and moral rot. Sedaris is foregrounding how rare it still is for a female performer to anchor comedy without the alibi of likability or attractiveness. The punchline is that “ugly” here isn’t a look; it’s a refusal to perform femininity on demand.
Quote Details
| Topic | Witty One-Liners |
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