"More than anything else, I want the folks back at home to think right of me"
About this Quote
Under the rhinestones and the roar, this is the most old-fashioned American hunger: approval from the people who knew you before the myth did. Elvis isn’t asking to be loved by the world. He’s asking to be judged kindly by a smaller, harsher jury - the hometown “folks” who remember the kid, the truck, the church, the class lines. That’s the tell. Fame can buy crowds; it can’t buy moral legitimacy.
The phrasing does quiet work. “More than anything else” ranks his priorities with surprising humility for a man being treated like a national event. “Think right of me” is not “understand me” or “forgive me.” It’s a plea for reputation, for being seen as basically decent. In Southern vernacular, “right” carries an ethical charge: correct, respectable, not corrupted. The subtext is that success has put him in danger of being misread - as obscene, arrogant, exploitative, ungrateful, or simply not “one of us” anymore.
Context sharpens the anxiety. Presley’s rise was entangled with mid-century moral panic about youth, sex, and Black-derived music crossing into white mainstream stardom. He became a lightning rod for cultural change he didn’t fully control. So this line reads like a protective charm against the accusation that he sold out his roots. It’s also a small tragedy: the more famous he becomes, the less reachable that simple hometown verdict is - and the more he needs it anyway.
The phrasing does quiet work. “More than anything else” ranks his priorities with surprising humility for a man being treated like a national event. “Think right of me” is not “understand me” or “forgive me.” It’s a plea for reputation, for being seen as basically decent. In Southern vernacular, “right” carries an ethical charge: correct, respectable, not corrupted. The subtext is that success has put him in danger of being misread - as obscene, arrogant, exploitative, ungrateful, or simply not “one of us” anymore.
Context sharpens the anxiety. Presley’s rise was entangled with mid-century moral panic about youth, sex, and Black-derived music crossing into white mainstream stardom. He became a lightning rod for cultural change he didn’t fully control. So this line reads like a protective charm against the accusation that he sold out his roots. It’s also a small tragedy: the more famous he becomes, the less reachable that simple hometown verdict is - and the more he needs it anyway.
Quote Details
| Topic | Respect |
|---|
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