"Most of those mocking us and our works night after night have not reached the point of suggesting we are going to use those weapons. They are pretty useless right now"
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Reeves is doing that writerly thing where he pretends to be merely clarifying, while actually turning the room’s mood against his critics. “Most of those mocking us and our works night after night” isn’t just a description; it’s a little courtroom tableau. He casts the opposition as a chorus line, repetitive and performative, more invested in the nightly ritual of ridicule than in the substance of what “we” are building. The phrase “night after night” does the heavy lifting: it suggests obsession, stamina, even a kind of media-industrial heckling that thrives on routine.
Then comes the strategic narrowing: “have not reached the point of suggesting we are going to use those weapons.” Reeves is implicitly arguing that the mockery is either unserious or uninformed, because it hasn’t escalated into the accusation that really matters. He’s drawing a boundary between criticism and fear-mongering, while also quietly introducing the idea of “weapons” into the conversation. That’s the subtextual judo move: he denies an allegation he claims hasn’t even been made, but he plants the association anyway.
The final line lands like a shrug with teeth: “They are pretty useless right now.” “Pretty” softens the statement just enough to read as pragmatic rather than threatening, yet “right now” keeps a door ajar. Uselessness is framed as temporary, contingent on context and timing. The intent is deterrence-by-dismissal: we’re being mocked, but our tools (whatever they are: literal arms, political leverage, institutional power) aren’t even in play yet. The context feels like an argument about capability and restraint, delivered with the cool affect of someone signaling, without declaring, that escalation remains available.
Then comes the strategic narrowing: “have not reached the point of suggesting we are going to use those weapons.” Reeves is implicitly arguing that the mockery is either unserious or uninformed, because it hasn’t escalated into the accusation that really matters. He’s drawing a boundary between criticism and fear-mongering, while also quietly introducing the idea of “weapons” into the conversation. That’s the subtextual judo move: he denies an allegation he claims hasn’t even been made, but he plants the association anyway.
The final line lands like a shrug with teeth: “They are pretty useless right now.” “Pretty” softens the statement just enough to read as pragmatic rather than threatening, yet “right now” keeps a door ajar. Uselessness is framed as temporary, contingent on context and timing. The intent is deterrence-by-dismissal: we’re being mocked, but our tools (whatever they are: literal arms, political leverage, institutional power) aren’t even in play yet. The context feels like an argument about capability and restraint, delivered with the cool affect of someone signaling, without declaring, that escalation remains available.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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