"Most people live their life around what other people do"
About this Quote
Scholz nails a quiet, unglamorous trap: the default setting of adulthood is imitation dressed up as choice. Coming from a musician who engineered his way out of the expected path (MIT grad, corporate job, then the stubborn DIY perfectionism behind Boston), the line lands less like a scold and more like a diagnosis from someone who’s watched conformity get marketed as “normal life.”
The phrasing is doing sly work. “Most people” isn’t cruel; it’s statistical, almost weary. “Live their life around” suggests orbiting, not deciding - your days shaped by other people’s schedules, approvals, trends, milestones. It’s not just peer pressure; it’s a whole social architecture. Careers become about what looks respectable. Relationships become about what keeps you legible to friends and family. Even rebellion can be performative, calibrated to be seen as the “right” kind of different.
In a music culture that constantly rewards mimicry - radio formats, label demands, nostalgia cycles - Scholz is also talking about art. The industry trains artists to chase whatever already worked, then calls that professionalism. His quote sketches the psychological cost: when you outsource your compass, you don’t just lose originality; you lose ownership. If your life is built as a reaction to others, you can’t tell whether you’re unhappy because you failed, or because you succeeded at the wrong thing.
It’s a simple sentence with an uncomfortable implication: the hardest move isn’t taking risks. It’s admitting how much of your “taste,” “ambition,” and “timing” was borrowed.
The phrasing is doing sly work. “Most people” isn’t cruel; it’s statistical, almost weary. “Live their life around” suggests orbiting, not deciding - your days shaped by other people’s schedules, approvals, trends, milestones. It’s not just peer pressure; it’s a whole social architecture. Careers become about what looks respectable. Relationships become about what keeps you legible to friends and family. Even rebellion can be performative, calibrated to be seen as the “right” kind of different.
In a music culture that constantly rewards mimicry - radio formats, label demands, nostalgia cycles - Scholz is also talking about art. The industry trains artists to chase whatever already worked, then calls that professionalism. His quote sketches the psychological cost: when you outsource your compass, you don’t just lose originality; you lose ownership. If your life is built as a reaction to others, you can’t tell whether you’re unhappy because you failed, or because you succeeded at the wrong thing.
It’s a simple sentence with an uncomfortable implication: the hardest move isn’t taking risks. It’s admitting how much of your “taste,” “ambition,” and “timing” was borrowed.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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