"Most performers don't admit this, because it sounds negative and performers are not supposed to be negative, but when I was on the road, I was lonely"
About this Quote
There is a quiet heresy in Glazer's opening move: he frames honesty as a violation of the performer code. "It sounds negative" isn’t just self-editing; it’s an indictment of an industry that sells warmth while manufacturing isolation. Performers are expected to be portable good news, emotional service workers who turn every room into a party and then vanish before anyone notices what it costs. Glazer lets you hear the gag in that expectation: the job is to be adored by strangers, so admitting loneliness feels like bad manners.
The sentence is built like a confession that has been rehearsed. He starts with "Most performers don't admit this" to widen the problem beyond himself, then narrows to the plainest, least romantic word possible: "lonely". No glamorous misery, no tortured-artist theatrics. Just a blunt human condition that clashes with the mythology of the road as freedom. That contrast is the engine of the quote: movement without rootedness, applause without intimacy, constant company without companionship.
Context matters. Glazer came up in an era when touring meant long stretches of cheap motels, segregated venues, and a work schedule that rewarded reliability over vulnerability. For a folk musician - someone whose brand is closeness, community, sing-along belonging - loneliness is especially sharp. The subtext is that performance can be a kind of mask that sticks: you learn to project connection so well that you’re punished, socially and professionally, for admitting you don’t feel it.
The sentence is built like a confession that has been rehearsed. He starts with "Most performers don't admit this" to widen the problem beyond himself, then narrows to the plainest, least romantic word possible: "lonely". No glamorous misery, no tortured-artist theatrics. Just a blunt human condition that clashes with the mythology of the road as freedom. That contrast is the engine of the quote: movement without rootedness, applause without intimacy, constant company without companionship.
Context matters. Glazer came up in an era when touring meant long stretches of cheap motels, segregated venues, and a work schedule that rewarded reliability over vulnerability. For a folk musician - someone whose brand is closeness, community, sing-along belonging - loneliness is especially sharp. The subtext is that performance can be a kind of mask that sticks: you learn to project connection so well that you’re punished, socially and professionally, for admitting you don’t feel it.
Quote Details
| Topic | Loneliness |
|---|---|
| Source | Help us find the source |
More Quotes by Tom
Add to List



