"Most projects start out slowly - and then sort of taper off"
About this Quote
It lands like a punchline because it flips the narrative we tell ourselves about productivity. We expect projects to “start slow” and then ramp up into competence, momentum, maybe even brilliance. Augustine’s twist - “and then sort of taper off” - weaponizes anticlimax. The joke is structural: the sentence mirrors the life cycle it describes, beginning with a familiar truism and then quietly draining away, as if the thought itself is losing steam mid-flight. That form-as-content is why it sticks.
The specific intent isn’t just to sneer at laziness; it’s to expose a system. Augustine spent a career adjacent to big institutions, where projects are less heroic quests than bureaucratic organisms: committees, shifting requirements, diluted accountability, incentives that reward motion over outcomes. “Taper off” isn’t failure by explosion; it’s failure by entropy. Meetings continue, slides multiply, timelines “re-baseline,” and the work becomes an exercise in managing the appearance of progress.
The subtext is a warning about how organizations metabolize ambition. Early stages feel honest because the gap between idea and execution is obvious; later stages feel murky because everyone has sunk costs to defend. So the project doesn’t end; it fades, maintained just enough to avoid admitting it was never going to land.
It’s also a tiny piece of cultural realism. In an era of roadmaps, sprints, and hustle theater, Augustine reminds you that decay is the default state unless you design against it.
The specific intent isn’t just to sneer at laziness; it’s to expose a system. Augustine spent a career adjacent to big institutions, where projects are less heroic quests than bureaucratic organisms: committees, shifting requirements, diluted accountability, incentives that reward motion over outcomes. “Taper off” isn’t failure by explosion; it’s failure by entropy. Meetings continue, slides multiply, timelines “re-baseline,” and the work becomes an exercise in managing the appearance of progress.
The subtext is a warning about how organizations metabolize ambition. Early stages feel honest because the gap between idea and execution is obvious; later stages feel murky because everyone has sunk costs to defend. So the project doesn’t end; it fades, maintained just enough to avoid admitting it was never going to land.
It’s also a tiny piece of cultural realism. In an era of roadmaps, sprints, and hustle theater, Augustine reminds you that decay is the default state unless you design against it.
Quote Details
| Topic | Management |
|---|---|
| Source | Help us find the source |
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