"Motion Picture Soundtrack on Kid A was another Coltrane inspiration"
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Radiohead’s “Kid A” is often treated like a clean break: guitars dissolved, rock posture scrapped, alien lullabies beamed in from a colder future. Colin Greenwood’s offhand line punctures that myth in a useful way. Calling “Motion Picture Soundtrack” “another Coltrane inspiration” reframes the album not as a rejection of musical history, but as a stealth continuation of it - with the group borrowing jazz’s spirit of searching rather than its surface vocabulary.
The specific intent feels almost corrective: Greenwood is pointing listeners away from the lazy “electronic turn” narrative and toward a lineage of emotional extremity. Coltrane is shorthand for devotion pushed to the edge - music that treats beauty as something you work for, not something you decorate a song with. “Motion Picture Soundtrack” is a song about leaving, but it stages that exit with the kind of solemn, breath-held patience you hear in late Coltrane: long tension, minimal release, a sense that the feeling is too big for the arrangement.
The subtext is also about taste politics. Invoking Coltrane gives the band permission to be sincere on a record often described as icy. It’s a way of saying: this isn’t irony or futurist cosplay; it’s soul music translated into a new grammar. Contextually, in the early-2000s moment when rock credibility was policed through volume and swagger, aligning with Coltrane signals a different kind of seriousness - one rooted in listening, discipline, and transcendence rather than spectacle.
The specific intent feels almost corrective: Greenwood is pointing listeners away from the lazy “electronic turn” narrative and toward a lineage of emotional extremity. Coltrane is shorthand for devotion pushed to the edge - music that treats beauty as something you work for, not something you decorate a song with. “Motion Picture Soundtrack” is a song about leaving, but it stages that exit with the kind of solemn, breath-held patience you hear in late Coltrane: long tension, minimal release, a sense that the feeling is too big for the arrangement.
The subtext is also about taste politics. Invoking Coltrane gives the band permission to be sincere on a record often described as icy. It’s a way of saying: this isn’t irony or futurist cosplay; it’s soul music translated into a new grammar. Contextually, in the early-2000s moment when rock credibility was policed through volume and swagger, aligning with Coltrane signals a different kind of seriousness - one rooted in listening, discipline, and transcendence rather than spectacle.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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