"Motley Crue, collectively and individually, have done things on our own terms"
About this Quote
“On our own terms” is the kind of line that doubles as a slogan and a shield, and Nikki Sixx knows exactly why it lands. Motley Crue’s brand has always been autonomy performed at arena volume: not just loud music, but loud decisions. The intent is part victory lap, part preemptive rebuttal. It frames the band’s career as self-authored rather than industry-manufactured, a subtle correction to the perennial narrative that glam metal was all image, label puppetry, and disposable excess.
The subtext is messier, which is why it works. “Collectively and individually” signals a band that’s been both a unit and a set of competing mythologies: solo projects, public feuds, addiction and recovery arcs, reunions and “final” farewells that weren’t final. Sixx is asserting a throughline of agency across a history that often looked like chaos. It’s a way of turning volatility into a principle. Even the scandals become proof of authorship: if the mistakes were theirs, so were the comebacks.
Context matters here because Motley Crue came up during an era when rock credibility was policed from multiple sides. The corporate machine wanted reliable product; critics wanted authenticity; later generations wanted accountability. “Our own terms” answers all three without apologizing to any. It’s not claiming purity. It’s claiming control. In a culture that loves to either canonize or cancel its troublemakers, Sixx is staking out a third option: we were never asking permission, and we’re not asking for absolution now.
The subtext is messier, which is why it works. “Collectively and individually” signals a band that’s been both a unit and a set of competing mythologies: solo projects, public feuds, addiction and recovery arcs, reunions and “final” farewells that weren’t final. Sixx is asserting a throughline of agency across a history that often looked like chaos. It’s a way of turning volatility into a principle. Even the scandals become proof of authorship: if the mistakes were theirs, so were the comebacks.
Context matters here because Motley Crue came up during an era when rock credibility was policed from multiple sides. The corporate machine wanted reliable product; critics wanted authenticity; later generations wanted accountability. “Our own terms” answers all three without apologizing to any. It’s not claiming purity. It’s claiming control. In a culture that loves to either canonize or cancel its troublemakers, Sixx is staking out a third option: we were never asking permission, and we’re not asking for absolution now.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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