"Movies are something people see all over the world because there is a certain need for it"
About this Quote
Wim Wenders frames cinema less as an art form than as a global utility: something people "see all over the world" because they "need" it. The phrasing is almost stubbornly plain, which is the point. He sidesteps the usual auteur romance about movies being magic, and instead treats them like infrastructure, closer to public transport than a pedestal. That bluntness carries a quiet confidence: film persists not because festivals bless it, but because ordinary people keep returning to it for reasons that are practical, emotional, and social all at once.
The subtext is classic Wenders: a director obsessed with travel, displacement, and the ache of modern life. In his work, movies often function as a way to orient yourself when the real world feels too large, too fast, too anonymous. "Need" hints at companionship, at shared dreams, at rehearsal space for feelings you can't safely have in public. It also implies a hunger for images themselves - for proof that other places and other lives exist, and that your own can be narrated rather than merely endured.
Context matters: Wenders came up in postwar Germany, when identity, memory, and American cultural export were all tangled together. To say movies are needed globally is also to acknowledge cinema's weird power as a common language - and a common temptation. It's not a sentimental claim. It's an argument that moving images have become one of the main ways modern people metabolize reality: we watch to escape, yes, but also to practice being human in a world that keeps redesigning the terms.
The subtext is classic Wenders: a director obsessed with travel, displacement, and the ache of modern life. In his work, movies often function as a way to orient yourself when the real world feels too large, too fast, too anonymous. "Need" hints at companionship, at shared dreams, at rehearsal space for feelings you can't safely have in public. It also implies a hunger for images themselves - for proof that other places and other lives exist, and that your own can be narrated rather than merely endured.
Context matters: Wenders came up in postwar Germany, when identity, memory, and American cultural export were all tangled together. To say movies are needed globally is also to acknowledge cinema's weird power as a common language - and a common temptation. It's not a sentimental claim. It's an argument that moving images have become one of the main ways modern people metabolize reality: we watch to escape, yes, but also to practice being human in a world that keeps redesigning the terms.
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| Topic | Movie |
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