"Movies will end up being this esoteric art form, where only singular people will put films out in a small group of theaters"
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A director famous for twist endings is really offering a twist about the medium itself: the future of movies, he implies, looks less like mass entertainment and more like boutique culture. Shyamalan’s phrasing, “esoteric art form,” isn’t neutral. It’s a warning disguised as resignation, a way of naming what happens when the default experience of “a movie” migrates from theaters to algorithm-fed living rooms. Theatrical film doesn’t die; it becomes vinyl. Precious, expensive, and increasingly performative as a marker of taste.
The line “only singular people” carries a telling anxiety about authorship. Shyamalan has always been positioned as a brand-name filmmaker in a system that loves franchises but still sells the romance of the auteur. Here, he’s suggesting a narrowing gate: fewer films released theatrically, fewer chances for mid-budget originality, and a culture where the big screen is reserved either for spectacle (IP blockbusters) or for “event” directors whose names function like premium labels. Everyone else streams into the background.
“Small group of theaters” also reads like a class signal. If cinemas become rarefied spaces, access becomes geographic and economic, turning what used to be a broadly shared public ritual into a niche pilgrimage. That subtext lands harder coming from Shyamalan, whose career has depended on wide releases and opening-weekend communal discovery. He’s not romanticizing obscurity; he’s mourning a distribution ecosystem that once made weirdness legible at scale.
The line “only singular people” carries a telling anxiety about authorship. Shyamalan has always been positioned as a brand-name filmmaker in a system that loves franchises but still sells the romance of the auteur. Here, he’s suggesting a narrowing gate: fewer films released theatrically, fewer chances for mid-budget originality, and a culture where the big screen is reserved either for spectacle (IP blockbusters) or for “event” directors whose names function like premium labels. Everyone else streams into the background.
“Small group of theaters” also reads like a class signal. If cinemas become rarefied spaces, access becomes geographic and economic, turning what used to be a broadly shared public ritual into a niche pilgrimage. That subtext lands harder coming from Shyamalan, whose career has depended on wide releases and opening-weekend communal discovery. He’s not romanticizing obscurity; he’s mourning a distribution ecosystem that once made weirdness legible at scale.
Quote Details
| Topic | Movie |
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