"Music exists for the purpose of growing an admirable heart"
About this Quote
A tidy provocation hides inside Suzuki's gentleness: music is not entertainment first, not even self-expression first. It is moral training. By framing music as a tool for "growing an admirable heart", Suzuki flips the usual prestige story of the arts (virtuosity, genius, competition) into something closer to character education. The word "purpose" is doing heavy lifting here; it makes music sound almost vocational, like a practice designed to produce a certain kind of person.
That aim makes more sense in Suzuki's context. He built the Suzuki Method in postwar Japan, when the project of rebuilding wasn't only economic but civic and spiritual. His "mother-tongue" approach - immersion, repetition, early start, constant listening, parents as partners - treats musical ability as cultivated, not inherited. Subtext: if talent isn't mystical, then neither is goodness. Both are habits formed in a daily environment.
"Admirable" is a strategic choice, too. It's less about private feeling than about how your inner life shows up socially: patience while drilling a phrase, humility in ensemble playing, attention to others' timing and tone, resilience when you squeak in public and keep going. The heart, in Suzuki's phrasing, isn't romantic; it's conduct.
There's also a quiet rebuke to systems that turn children into trophies. Suzuki insists the end product isn't the prodigy onstage, it's the adult who can listen well, collaborate, and treat beauty as something you owe to other people. Music, then, becomes a rehearsal for citizenship.
That aim makes more sense in Suzuki's context. He built the Suzuki Method in postwar Japan, when the project of rebuilding wasn't only economic but civic and spiritual. His "mother-tongue" approach - immersion, repetition, early start, constant listening, parents as partners - treats musical ability as cultivated, not inherited. Subtext: if talent isn't mystical, then neither is goodness. Both are habits formed in a daily environment.
"Admirable" is a strategic choice, too. It's less about private feeling than about how your inner life shows up socially: patience while drilling a phrase, humility in ensemble playing, attention to others' timing and tone, resilience when you squeak in public and keep going. The heart, in Suzuki's phrasing, isn't romantic; it's conduct.
There's also a quiet rebuke to systems that turn children into trophies. Suzuki insists the end product isn't the prodigy onstage, it's the adult who can listen well, collaborate, and treat beauty as something you owe to other people. Music, then, becomes a rehearsal for citizenship.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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