"Music, I feel, must be emotional first and intellectual second"
About this Quote
The intent is also defensive, in the best way. Early 20th-century French music was obsessed with surface, color, and form - and accused, often by Germanic traditionalists and later by modernist purists, of being decorative. Ravel flips the charge. He grants the intellect a role, but explicitly as second chair. That ordering matters: he’s not rejecting complexity, he’s challenging the listener’s reflex to treat complexity as the point.
Subtext: the “intellectual” listener can become a kind of bureaucrat, auditing harmony and structure the way a critic audits motives. Ravel is warning that analysis, when it arrives too early, can be a form of emotional evasion. You can’t spreadsheet your way to the shiver that makes the music worth returning to.
Context sharpens the irony. Ravel’s music is famously engineered - every gesture placed, every orchestral tint calibrated. Yet works like Daphnis et Chloe or the slow burn of Bolero operate through sensation first: time, color, crescendo, longing. He’s telling you how to listen to him: let the body register the temperature before the mind starts naming the parts.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Ravel, Maurice. (2026, January 15). Music, I feel, must be emotional first and intellectual second. FixQuotes. https://fixquotes.com/quotes/music-i-feel-must-be-emotional-first-and-155576/
Chicago Style
Ravel, Maurice. "Music, I feel, must be emotional first and intellectual second." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/music-i-feel-must-be-emotional-first-and-155576/.
MLA Style (9th ed.)
"Music, I feel, must be emotional first and intellectual second." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/music-i-feel-must-be-emotional-first-and-155576/. Accessed 6 Feb. 2026.









