"Music inflames temperament"
About this Quote
"Music inflames temperament" is Jim Morrison reducing the whole Doors project to a single, volatile verb. Not “shapes,” not “reflects,” not even “expresses.” Inflames. He’s framing music as an accelerant: it doesn’t politely accompany your mood, it intensifies it until it becomes behavior. That word choice carries a warning and a promise, the same double edge that made Morrison compelling onstage and unsettling off it.
The intent is almost practical. Morrison isn’t talking about taste or talent; he’s talking about effect. Temperament is the baseline weather of a person - irritable, tender, restless, grandiose. Music, in his view, hits that baseline and turns it up, sometimes into revelation, sometimes into catastrophe. The subtext is a defense of excess: if the room gets out of hand, if bodies surge, if inhibitions burn off, that’s not a failure of control; it’s the point. He’s validating the concert as a ritual where people surrender to amplification - literal and psychological.
Context matters: late-60s rock as mass catharsis, a culture newly fluent in drugs, rebellion, and spectacle, and a frontman deliberately playing with shaman imagery. Morrison’s persona depended on the idea that sound could loosen the social mask and expose the animal underneath. The line also reads like self-indictment: if music inflames temperament, then the artist who lives inside it is constantly stoked, rarely cooled. Morrison is describing an engine he couldn’t fully step away from.
The intent is almost practical. Morrison isn’t talking about taste or talent; he’s talking about effect. Temperament is the baseline weather of a person - irritable, tender, restless, grandiose. Music, in his view, hits that baseline and turns it up, sometimes into revelation, sometimes into catastrophe. The subtext is a defense of excess: if the room gets out of hand, if bodies surge, if inhibitions burn off, that’s not a failure of control; it’s the point. He’s validating the concert as a ritual where people surrender to amplification - literal and psychological.
Context matters: late-60s rock as mass catharsis, a culture newly fluent in drugs, rebellion, and spectacle, and a frontman deliberately playing with shaman imagery. Morrison’s persona depended on the idea that sound could loosen the social mask and expose the animal underneath. The line also reads like self-indictment: if music inflames temperament, then the artist who lives inside it is constantly stoked, rarely cooled. Morrison is describing an engine he couldn’t fully step away from.
Quote Details
| Topic | Music |
|---|
More Quotes by Jim
Add to List








