"Music is an art form that's always changing and evolving. It's never static, and that's what makes it so exciting"
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Gilmour’s line reads like a calm mission statement, but the subtext is more pointed: if you want music to stay “pure,” you’re already missing the point. Coming from the guitarist who helped define Pink Floyd’s cavernous, slow-burn sound, it’s a quiet rebuke to the nostalgia industry that keeps trying to freeze rock in amber. “Always changing and evolving” isn’t just a description of the medium; it’s a defense of artistic restlessness, the permission slip to move on even when audiences beg for the old tricks.
The phrasing matters. “Art form” elevates music above product, a subtle pushback against treating songs as disposable content. “Never static” is almost anatomical: music as a living organism, metabolizing technology, politics, new scenes, new drugs, new instruments, new distribution systems. Gilmour came up in an era when studio experimentation (tape loops, synths, multitracking) didn’t just decorate songs; it rewired what a band could be. In that context, evolution isn’t an abstract value, it’s how the work got made.
There’s also a musician’s pragmatism hiding in the optimism. Change is not framed as loss, or betrayal, or generational decline; it’s framed as fuel. “That’s what makes it so exciting” lands like a reminder to keep listening forward. For an artist constantly measured against his own past, excitement becomes a moral stance: the only way to stay alive in your craft is to refuse the museum.
The phrasing matters. “Art form” elevates music above product, a subtle pushback against treating songs as disposable content. “Never static” is almost anatomical: music as a living organism, metabolizing technology, politics, new scenes, new drugs, new instruments, new distribution systems. Gilmour came up in an era when studio experimentation (tape loops, synths, multitracking) didn’t just decorate songs; it rewired what a band could be. In that context, evolution isn’t an abstract value, it’s how the work got made.
There’s also a musician’s pragmatism hiding in the optimism. Change is not framed as loss, or betrayal, or generational decline; it’s framed as fuel. “That’s what makes it so exciting” lands like a reminder to keep listening forward. For an artist constantly measured against his own past, excitement becomes a moral stance: the only way to stay alive in your craft is to refuse the museum.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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