"Music is part of us, and either ennobles or degrades our behavior"
About this Quote
Boethius treats music less like entertainment than like infrastructure: a force that quietly engineers the self. The line lands because it refuses the modern convenience of aesthetic neutrality. Music is not a vibe you add to life; it is part of what life is, braided into conduct, temperament, and even ethics. In a culture that likes to quarantine art as “just art,” his claim feels almost accusatory.
The subtext is a warning about permeability. If music is “part of us,” then we are always being tuned by what we take in, whether we notice it or not. “Ennobles or degrades” is stark, almost judicial language, implying moral stakes rather than personal taste. There’s an implied third party here: whoever controls the soundscape shapes the citizen. That’s why the quote still stings in an era of algorithmic playlists and omnipresent audio branding. It asks an uncomfortable question: are we choosing music, or is music choosing us?
Context matters. Boethius is a late Roman thinker writing at the hinge between classical philosophy and medieval Christianity, when the order of the cosmos was imagined as harmony: musica mundana (the music of the spheres), musica humana (the harmony of the body and soul), and only last, musica instrumentalis (actual performed music). He’s defending a worldview where art disciplines desire. The intent isn’t puritanical so much as political and psychological: music trains attention, rehearses emotion, normalizes a tempo of living. For Boethius, that’s enough to make it a moral technology.
The subtext is a warning about permeability. If music is “part of us,” then we are always being tuned by what we take in, whether we notice it or not. “Ennobles or degrades” is stark, almost judicial language, implying moral stakes rather than personal taste. There’s an implied third party here: whoever controls the soundscape shapes the citizen. That’s why the quote still stings in an era of algorithmic playlists and omnipresent audio branding. It asks an uncomfortable question: are we choosing music, or is music choosing us?
Context matters. Boethius is a late Roman thinker writing at the hinge between classical philosophy and medieval Christianity, when the order of the cosmos was imagined as harmony: musica mundana (the music of the spheres), musica humana (the harmony of the body and soul), and only last, musica instrumentalis (actual performed music). He’s defending a worldview where art disciplines desire. The intent isn’t puritanical so much as political and psychological: music trains attention, rehearses emotion, normalizes a tempo of living. For Boethius, that’s enough to make it a moral technology.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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