"My book is traditional. It runs counter to the post-modern spirit"
About this Quote
There’s a quiet provocation in Guterson calling his book “traditional” as if it were a contraband aesthetic. In an era when “post-modern” often functions as a cultural password - ironic distance, fractured narrative, self-aware gamesmanship - he’s staking out the opposite: sincerity, continuity, a belief that storytelling can still aim for immersion rather than critique its own machinery. The line works because it frames craft as posture. “Traditional” isn’t just a style choice; it’s a moral one, a declaration that the old tools still matter.
The subtext is a rebuttal to a literary climate that, especially from the late 20th century onward, rewarded cleverness and meta-commentary as proof of intelligence. Guterson’s “runs counter” reads like a small act of resistance against the workshop consensus that every narrative must confess its artifice. He implies that the “post-modern spirit” has become not just an aesthetic but a social expectation: don’t be earnest, don’t be straightforward, don’t let the reader forget they’re reading.
Context matters: Guterson emerged when contemporary American fiction was negotiating the aftershocks of Pynchon, DeLillo, Barth, and the whole prestige of reflexivity. By labeling his work traditional, he’s also positioning it in the marketplace, signaling to readers exhausted by winking narrators and narrative puzzles that he’s offering a different pleasure: emotional clarity, moral gravity, and the risky old-fashioned ambition to mean what you say.
The subtext is a rebuttal to a literary climate that, especially from the late 20th century onward, rewarded cleverness and meta-commentary as proof of intelligence. Guterson’s “runs counter” reads like a small act of resistance against the workshop consensus that every narrative must confess its artifice. He implies that the “post-modern spirit” has become not just an aesthetic but a social expectation: don’t be earnest, don’t be straightforward, don’t let the reader forget they’re reading.
Context matters: Guterson emerged when contemporary American fiction was negotiating the aftershocks of Pynchon, DeLillo, Barth, and the whole prestige of reflexivity. By labeling his work traditional, he’s also positioning it in the marketplace, signaling to readers exhausted by winking narrators and narrative puzzles that he’s offering a different pleasure: emotional clarity, moral gravity, and the risky old-fashioned ambition to mean what you say.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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