"My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time"
About this Quote
LaBute isn’t talking about escapism; he’s staking a claim to plausibility as his moral alibi. “My business” frames art as a job with deliverables, not a sacred calling, and the deliverable is a “world” that “could happen” - a reality-adjacent petri dish where the audience can’t dismiss what they’re seeing as fantasy. It’s a canny move from a director known for staging human cruelty in clean, ordinary rooms: the more believable the environment, the more indicting the behavior.
The phrasing is revealingly narrow. “That’s the only thing that I have to do” sidesteps the usual expectations placed on storytellers: offer hope, deliver justice, teach a lesson, soothe the viewer after the damage. LaBute’s subtext is basically: don’t ask me to redeem these people; my responsibility ends at credible construction. It’s an ethos that mirrors his films and plays, where characters often act monstrously without the narrative stepping in to punish them in a satisfying way. The discomfort is the point, and realism is the trapdoor.
Then there’s the self-assessment: “I think that I have done that each time.” The repetition of “I think” is a soft hedge, but it also reads like a dare. If you feel implicated, if you recognize the pattern, that’s proof of success. In an era of heightened discourse about “likability” and moral clarity, LaBute insists on a colder metric: not whether you approve, but whether you believe.
The phrasing is revealingly narrow. “That’s the only thing that I have to do” sidesteps the usual expectations placed on storytellers: offer hope, deliver justice, teach a lesson, soothe the viewer after the damage. LaBute’s subtext is basically: don’t ask me to redeem these people; my responsibility ends at credible construction. It’s an ethos that mirrors his films and plays, where characters often act monstrously without the narrative stepping in to punish them in a satisfying way. The discomfort is the point, and realism is the trapdoor.
Then there’s the self-assessment: “I think that I have done that each time.” The repetition of “I think” is a soft hedge, but it also reads like a dare. If you feel implicated, if you recognize the pattern, that’s proof of success. In an era of heightened discourse about “likability” and moral clarity, LaBute insists on a colder metric: not whether you approve, but whether you believe.
Quote Details
| Topic | Writing |
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