"My dreams were at once more fantastic and agreeable than my writings"
About this Quote
There is a sly reversal tucked into Shelley’s line: the imagination that made Frankenstein, one of literature’s most enduring nightmares, was supposedly the lesser realm. Her dreams, she claims, were more “fantastic and agreeable” than what she could bring herself to write. It’s a quiet flex and a quiet confession, a way of admitting that the page is where fantasy gets disciplined into consequence.
The word “agreeable” does heavy lifting. It hints that the raw material of her inner life wasn’t inherently gothic or punitive; it was expansive, maybe even tender. What turns the agreeable into the disturbing is authorship itself: revision, structure, moral pressure, the need to make a private vision legible in public. Shelley’s work repeatedly stages this conversion. Victor Frankenstein’s private obsession becomes a social calamity; creation demands accountability. The sentence implies a similar bargain in her own process: writing is the place where pleasure is made answerable.
Context matters. Shelley is a Romantic inheritor with an unusually sharp awareness of how easily “fantastic” inspiration can curdle into spectacle or scandal, especially for a young woman writing amid the aftershocks of radical politics and personal loss. There’s also a nod to the famous origin myth of Frankenstein, born from a dreamlike prompt at the Villa Diodati. By demoting her writings beneath her dreams, she both protects the sanctity of the inner world and exposes the irony: literature is not the wildest part of a writer’s mind, just the part that survives contact with readers.
The word “agreeable” does heavy lifting. It hints that the raw material of her inner life wasn’t inherently gothic or punitive; it was expansive, maybe even tender. What turns the agreeable into the disturbing is authorship itself: revision, structure, moral pressure, the need to make a private vision legible in public. Shelley’s work repeatedly stages this conversion. Victor Frankenstein’s private obsession becomes a social calamity; creation demands accountability. The sentence implies a similar bargain in her own process: writing is the place where pleasure is made answerable.
Context matters. Shelley is a Romantic inheritor with an unusually sharp awareness of how easily “fantastic” inspiration can curdle into spectacle or scandal, especially for a young woman writing amid the aftershocks of radical politics and personal loss. There’s also a nod to the famous origin myth of Frankenstein, born from a dreamlike prompt at the Villa Diodati. By demoting her writings beneath her dreams, she both protects the sanctity of the inner world and exposes the irony: literature is not the wildest part of a writer’s mind, just the part that survives contact with readers.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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