"My feelings towards Scott Card are pretty mixed. Politically, he and I are pretty far apart"
About this Quote
Doctorow’s “pretty mixed” is doing diplomatic heavy lifting. In a culture that rewards hot takes and totalizing judgments, he opts for calibrated ambivalence - not because he’s unsure, but because he’s signaling a boundary. The line reads like an early warning label: don’t mistake admiration for endorsement, and don’t assume political alignment is a prerequisite for artistic or professional respect.
The name “Scott Card” carries the context. Orson Scott Card is both a celebrated science-fiction author and a polarizing political figure, especially around LGBTQ rights. Doctorow, a long-time advocate for digital rights and broadly progressive causes, knows the audience pressure here: people want him to either denounce Card cleanly or defend him as “separate the art from the artist.” He chooses neither. That’s the subtext: refusing the binary.
The repeated “pretty” is telling. It softens the edge while still drawing a clear map of distance (“pretty far apart”). It’s a rhetorical tactic common to writers who’ve spent time online: speak in understatement to avoid feeding the outrage machine, while still making your values legible. Doctorow’s intent isn’t to center Card so much as to narrate his own ethical posture - the idea that you can acknowledge someone’s influence or craft and still be explicit about political disagreement.
It’s also a quiet comment on intellectual ecosystems: communities survive on coalitions, and coalitions survive on people who can say, plainly, “we’re not the same,” without turning that into a purity test.
The name “Scott Card” carries the context. Orson Scott Card is both a celebrated science-fiction author and a polarizing political figure, especially around LGBTQ rights. Doctorow, a long-time advocate for digital rights and broadly progressive causes, knows the audience pressure here: people want him to either denounce Card cleanly or defend him as “separate the art from the artist.” He chooses neither. That’s the subtext: refusing the binary.
The repeated “pretty” is telling. It softens the edge while still drawing a clear map of distance (“pretty far apart”). It’s a rhetorical tactic common to writers who’ve spent time online: speak in understatement to avoid feeding the outrage machine, while still making your values legible. Doctorow’s intent isn’t to center Card so much as to narrate his own ethical posture - the idea that you can acknowledge someone’s influence or craft and still be explicit about political disagreement.
It’s also a quiet comment on intellectual ecosystems: communities survive on coalitions, and coalitions survive on people who can say, plainly, “we’re not the same,” without turning that into a purity test.
Quote Details
| Topic | Respect |
|---|---|
| Source | Help us find the source |
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