"My goal is to make fine art, and fine art comes from the soul. If you have virtuosity and facility, you can take and create something of significance"
About this Quote
MacDonald’s line reads like a quiet manifesto from an artist who’s spent a lifetime watching “skill” get mistaken for “meaning.” As a sculptor known for hyper-refined figurative work, he’s speaking from inside a tradition where technique can be so dazzling it risks becoming the whole show. “Fine art comes from the soul” isn’t a Hallmark claim so much as a boundary marker: he’s insisting that the work’s real engine is interior, not mechanical. In a field where bronze can immortalize a body with anatomical perfection, he’s arguing the subject isn’t anatomy at all, but spirit.
The pivot is his conditional: “If you have virtuosity and facility…” Virtuosity is framed as prerequisite, not destination. Facility suggests fluency, the ability to move through material without friction. He’s acknowledging the hard truth that sincerity alone doesn’t cast bronze, carve stone, or choreograph form in space. Soul is the origin point; craft is the delivery system.
Subtextually, it’s also a defense against cynicism about representational sculpture in the contemporary art world, where “significance” is often coded as concept, critique, or novelty. MacDonald is claiming that significance can be built the old-fashioned way: through mastery that becomes invisible, leaving room for feeling to register. The intent is less to romanticize art than to re-rank its ingredients: technique earns you access; what you bring from yourself determines whether the result is merely impressive or actually necessary.
The pivot is his conditional: “If you have virtuosity and facility…” Virtuosity is framed as prerequisite, not destination. Facility suggests fluency, the ability to move through material without friction. He’s acknowledging the hard truth that sincerity alone doesn’t cast bronze, carve stone, or choreograph form in space. Soul is the origin point; craft is the delivery system.
Subtextually, it’s also a defense against cynicism about representational sculpture in the contemporary art world, where “significance” is often coded as concept, critique, or novelty. MacDonald is claiming that significance can be built the old-fashioned way: through mastery that becomes invisible, leaving room for feeling to register. The intent is less to romanticize art than to re-rank its ingredients: technique earns you access; what you bring from yourself determines whether the result is merely impressive or actually necessary.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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