"My goal was never to sell many records"
About this Quote
The most defiant thing Chuck Mangione does here is pretend commerce was never the scorecard. In a business built on chart positions, radio adds, and the weekly churn of “relevance,” “My goal was never to sell many records” reads like a quiet refusal to let the marketplace define the meaning of a life’s work. Coming from a musician best known for an improbably ubiquitous, feel-good instrumental hit (“Feels So Good”), the line carries a sly subtext: he knows exactly how success looks on paper, and he’s choosing to demote it.
It’s also a preemptive defense against the usual sneer aimed at accessible jazz-adjacent pop. Mangione’s smooth, melodic approach has often been filed under “easy listening,” a label that can sound like a dismissal disguised as a genre. By framing record sales as incidental, he re-centers the criteria on craft, bandstand credibility, and the lived experience of making music rather than winning the culture war over “serious” art.
The context matters: Mangione came up through jazz education and ensemble playing, worlds where musicianship is measured in tone, feel, and the ability to communicate in real time, not in units moved. That ethos clashes with the late-20th-century recording industry’s push for product. The line works because it’s both earnest and strategic: it shields him from being reduced to a commercial phenomenon while reclaiming the right to make approachable music without apologizing for it.
It’s also a preemptive defense against the usual sneer aimed at accessible jazz-adjacent pop. Mangione’s smooth, melodic approach has often been filed under “easy listening,” a label that can sound like a dismissal disguised as a genre. By framing record sales as incidental, he re-centers the criteria on craft, bandstand credibility, and the lived experience of making music rather than winning the culture war over “serious” art.
The context matters: Mangione came up through jazz education and ensemble playing, worlds where musicianship is measured in tone, feel, and the ability to communicate in real time, not in units moved. That ethos clashes with the late-20th-century recording industry’s push for product. The line works because it’s both earnest and strategic: it shields him from being reduced to a commercial phenomenon while reclaiming the right to make approachable music without apologizing for it.
Quote Details
| Topic | Music |
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