Love Quote by Kim Elizabeth

Imagination here isn’t a cute creative quirk; it’s a possessive force, a handler. “Completely controls me” flips the usual artist myth (I use my imagination) into something closer to compulsion (it uses me). That reversal is the engine of the passage: it frames writing not as self-expression but as self-survival, a way of keeping a private blaze fed.

The “dark red light” is doing double duty. Red suggests romance and appetite, but “dark” stains it with menace. She’s describing a heart that glows like an ember rather than a beacon - heat without comfort. When she says imagination brings “the best dreams,” the subtext is that the dreams are best because they’re dangerous: fantasies that flirt with love and horror at the same time. It’s the gothic tradition updated into a confessional register, where the supernatural isn’t outside the body but “in my blood.”

The triad - “wild imagination, a big heart and a tortured soul” - is a self-mythology, the kind writers build to justify their chosen terrain. It’s also a bid for permission: if the darkness is innate, then dark fantasy isn’t indulgence, it’s authenticity. The context is a contemporary culture that treats genre as identity. She’s not just describing what she writes; she’s staking out a temperament, telling readers to expect intensity, melodrama, and emotional risk - and to read the horror as an extension of love, not its opposite.