"My major allegiance has been to storytelling, not to history"
About this Quote
Banks slips a knife neatly between two cravings readers like to pretend are the same: truth and accuracy. “Major allegiance” signals a hierarchy of obligations. He’s not denying history’s pull; he’s demoting it. The line insists that the writer’s first duty is to narrative pressure - the thing that makes a life feel legible on the page - rather than to the archivist’s standard of proof.
The subtext is defensive and candid at once. Banks spent a career writing novels that graze close to American social realities: class, violence, racial injustice, the myths of self-making. Those terrains tempt audiences to treat fiction as a moral documentary, a surrogate for civic knowledge. Banks refuses the job description. Storytelling, for him, is not a softer version of history; it’s a different instrument, designed to capture the inner weather history can’t file: motive, shame, self-deception, the irrational logic that makes people do what they do and then justify it.
Context matters because Banks emerged in a late-20th-century moment obsessed with “based on a true story,” when the marketplace rewards the stamp of authenticity. His sentence pushes back against the idea that legitimacy requires footnotes. It also functions as a warning label: if you come to his work looking for a clean timeline or representative sample, you’ll miss the point. He’s after the felt truth that can be politically sharper than fact-checkable detail, precisely because it shows how history gets lived, narrated, and distorted from the inside.
The subtext is defensive and candid at once. Banks spent a career writing novels that graze close to American social realities: class, violence, racial injustice, the myths of self-making. Those terrains tempt audiences to treat fiction as a moral documentary, a surrogate for civic knowledge. Banks refuses the job description. Storytelling, for him, is not a softer version of history; it’s a different instrument, designed to capture the inner weather history can’t file: motive, shame, self-deception, the irrational logic that makes people do what they do and then justify it.
Context matters because Banks emerged in a late-20th-century moment obsessed with “based on a true story,” when the marketplace rewards the stamp of authenticity. His sentence pushes back against the idea that legitimacy requires footnotes. It also functions as a warning label: if you come to his work looking for a clean timeline or representative sample, you’ll miss the point. He’s after the felt truth that can be politically sharper than fact-checkable detail, precisely because it shows how history gets lived, narrated, and distorted from the inside.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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