"My movies are, more or less, very short. I'm terrified of boring an audience"
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Leconte’s “very short” movies aren’t just a pacing preference; they’re a manifesto about power. The director frames cinema as a fragile contract: the audience lends you their attention, and you repay it with momentum. “Terrified” is the tell. He isn’t posturing as a tyrant auteur who drags viewers through his obsessions; he’s admitting a working artist’s dread that the room can turn on you in real time. Film is one of the few art forms where boredom is public, contagious, and instantly measurable: restless shifting, coughing, the glow of watches, the silent permission people give themselves to check out mentally before the credits.
The phrase “more or less” is also doing heavy lifting. It dodges dogma. Leconte isn’t promising minimalism or TikTok-era brevity; he’s acknowledging that “short” is relative to the story’s natural pressure. The subtext is craft over bloat: every scene has to earn its oxygen. In an industry that often equates seriousness with length (the prestige sprawl, the director’s cut as a status symbol), he’s staking out a different virtue: respect.
Context matters: Leconte came up in a French cinema tradition that values wit, tone, and precision as much as grandeur. His fear of boredom reads less like insecurity than like a disciplined ethic. It’s a reminder that style isn’t only what you add; it’s what you refuse to make the audience sit through.
The phrase “more or less” is also doing heavy lifting. It dodges dogma. Leconte isn’t promising minimalism or TikTok-era brevity; he’s acknowledging that “short” is relative to the story’s natural pressure. The subtext is craft over bloat: every scene has to earn its oxygen. In an industry that often equates seriousness with length (the prestige sprawl, the director’s cut as a status symbol), he’s staking out a different virtue: respect.
Context matters: Leconte came up in a French cinema tradition that values wit, tone, and precision as much as grandeur. His fear of boredom reads less like insecurity than like a disciplined ethic. It’s a reminder that style isn’t only what you add; it’s what you refuse to make the audience sit through.
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| Topic | Movie |
|---|---|
| Source | Help us find the source |
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