"My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves"
About this Quote
There is something deliciously disarming about hearing Brent Spiner - forever filed in pop culture as the hyper-rational android Data - declare a gushy, plainly subjective love for a maximalist Cher anthem. The intent isn’t to canonize "Gypsies, Tramps and Thieves" as high art; it’s to puncture the idea that taste needs credentialing. Spiner’s line reads like a small act of permission: you can be an actor associated with cerebral sci-fi and still have a soft spot for a melodramatic, swaggering slice of early-70s pop.
The subtext rides on contrast. The phrase "my own personal favorite" is almost comically emphatic, as if he anticipates judgment and preempts it with a shrug: yes, I mean this, and yes, it’s sentimental. Calling the song "unforgettable" leans into Cher’s particular power - her knack for turning narrative camp into emotional truth, selling a scandalous story with a straight face and a granite voice. It’s admiration for an artist who can make the outsized feel specific.
Context matters too: Cher’s track is both a classic and a cultural artifact with complicated edges, trading in romanticized outsider imagery that reads differently now. Spiner sidesteps that discourse and goes straight for affect and memory, the way most people actually relate to pop. It’s a reminder that celebrity taste-making often works best when it’s unpretentious: not a thesis, a tell.
The subtext rides on contrast. The phrase "my own personal favorite" is almost comically emphatic, as if he anticipates judgment and preempts it with a shrug: yes, I mean this, and yes, it’s sentimental. Calling the song "unforgettable" leans into Cher’s particular power - her knack for turning narrative camp into emotional truth, selling a scandalous story with a straight face and a granite voice. It’s admiration for an artist who can make the outsized feel specific.
Context matters too: Cher’s track is both a classic and a cultural artifact with complicated edges, trading in romanticized outsider imagery that reads differently now. Spiner sidesteps that discourse and goes straight for affect and memory, the way most people actually relate to pop. It’s a reminder that celebrity taste-making often works best when it’s unpretentious: not a thesis, a tell.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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