"My page is junk, because I hate putting anything to do with me on the site, it just feels wrong"
About this Quote
Self-erasure as a kind of honesty: that is the move Colin Greenwood is making when he calls his own page "junk". It reads like a throwaway confession, but it’s also a quiet manifesto against the machinery of self-branding. In a culture that treats the internet as an always-on press kit, he’s naming the unease that comes with turning a person into content. The line doesn’t perform humility so much as it performs resistance: a refusal to package a self for easy consumption.
The phrasing matters. "Anything to do with me" is comically broad, like he can’t even tolerate a harmless bio. "It just feels wrong" is even more revealing: not "embarrassing" or "cringe", but morally misaligned. That word choice suggests the problem isn’t skill or taste; it’s the premise. Personal presence online asks for a curated narrative, and Greenwood is signaling that narrative as counterfeit. Calling the page "junk" preemptively disarms critique while also indicting the medium that demands constant updates and glossy self-exposure.
As a musician, especially one associated with an era when bands could keep mystique intact, he’s speaking from a position shaped by older ideas of artistry: let the work carry the identity, not the other way around. The subtext isn’t technophobia; it’s a defense of private space, and maybe a fear that self-documentation cheapens what should remain messy, uncaptioned, human.
The phrasing matters. "Anything to do with me" is comically broad, like he can’t even tolerate a harmless bio. "It just feels wrong" is even more revealing: not "embarrassing" or "cringe", but morally misaligned. That word choice suggests the problem isn’t skill or taste; it’s the premise. Personal presence online asks for a curated narrative, and Greenwood is signaling that narrative as counterfeit. Calling the page "junk" preemptively disarms critique while also indicting the medium that demands constant updates and glossy self-exposure.
As a musician, especially one associated with an era when bands could keep mystique intact, he’s speaking from a position shaped by older ideas of artistry: let the work carry the identity, not the other way around. The subtext isn’t technophobia; it’s a defense of private space, and maybe a fear that self-documentation cheapens what should remain messy, uncaptioned, human.
Quote Details
| Topic | Bio |
|---|---|
| Source | Help us find the source |
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