"My plan was to stay in Canada to make films"
About this Quote
There is a quiet defiance in Kotcheff's phrasing: not a dream to "break in" but a plan to stay put and do the work. "Stay in Canada" lands like a statement of values as much as geography. For a director who came up when cultural gravity (and financing) pulled talent south, the line sketches an alternate career map: build a film life in a place routinely told it doesn't have one.
The subtext is about infrastructure and legitimacy. Canadian filmmakers have often had to justify their existence against Hollywood's industrial scale and global megaphone. Kotcheff's choice of "make films" rather than "be a director" matters; it's pragmatic, almost blue-collar. He frames filmmaking as a practice sustained over time, not a celebrity identity granted by a distant center. The intent reads as both personal resolve and a subtle critique of the industry logic that equates success with leaving.
Context sharpens it. Kotcheff's era was defined by limited domestic funding, smaller audiences, and a national culture still negotiating how to tell its own stories without sounding like an echo. Even today, Canada is better known as a production service hub than an auteur factory. That tension makes the line resonate: a creative ambition forced to bargain with economics, proximity, and the seductive promise of elsewhere.
And it's quietly ironic coming from Kotcheff, who did significant work outside Canada. The "plan" is what makes it human: a declared intention tested by reality. The sentence captures the Canadian artist's recurring dilemma in nine plain words - loyalty versus opportunity, nation-building versus career-building, and the stubborn belief that local stories deserve a camera.
The subtext is about infrastructure and legitimacy. Canadian filmmakers have often had to justify their existence against Hollywood's industrial scale and global megaphone. Kotcheff's choice of "make films" rather than "be a director" matters; it's pragmatic, almost blue-collar. He frames filmmaking as a practice sustained over time, not a celebrity identity granted by a distant center. The intent reads as both personal resolve and a subtle critique of the industry logic that equates success with leaving.
Context sharpens it. Kotcheff's era was defined by limited domestic funding, smaller audiences, and a national culture still negotiating how to tell its own stories without sounding like an echo. Even today, Canada is better known as a production service hub than an auteur factory. That tension makes the line resonate: a creative ambition forced to bargain with economics, proximity, and the seductive promise of elsewhere.
And it's quietly ironic coming from Kotcheff, who did significant work outside Canada. The "plan" is what makes it human: a declared intention tested by reality. The sentence captures the Canadian artist's recurring dilemma in nine plain words - loyalty versus opportunity, nation-building versus career-building, and the stubborn belief that local stories deserve a camera.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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