"My role 14 years ago in Richard III - that was the first time I played a bad guy and learned a lot about it - they have all the fun!"
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Denzel Washington’s line lands because it punctures the polite prestige often wrapped around Shakespeare and acting craft. He’s talking about Richard III, yes, but the real subject is permission: the moment a famously disciplined leading man discovers what happens when you stop protecting your likability. “Bad guy” isn’t just a character type; it’s a release valve. Villains get to want things nakedly. They don’t have to be relatable, or even coherent. They can be funny, vain, cruel, theatrical - and crucially, they can drive the story instead of surviving it.
The subtext is a sly critique of how Hollywood rewards Black actors with “noble” roles that signal respectability: the principled hero, the burdened mentor, the morally legible man. Washington has played plenty of authority figures; here he’s admitting the thrill of stepping outside that assignment. Richard III is a role that invites virtuosity - the conspiratorial asides, the seduction of the audience, the weaponized charm. When he says he “learned a lot about it,” he’s not confessing to darkness so much as acknowledging technique: how to build charisma from cruelty, how to make an audience complicit.
“They have all the fun!” reads as a punchline, but it’s also craft talk. Great villains don’t just break rules; they reveal which rules the hero is trapped inside. Washington’s joke points to a deeper truth about performance: the “fun” is often where the most honest acting lives, because it’s unshackled from being approved of.
The subtext is a sly critique of how Hollywood rewards Black actors with “noble” roles that signal respectability: the principled hero, the burdened mentor, the morally legible man. Washington has played plenty of authority figures; here he’s admitting the thrill of stepping outside that assignment. Richard III is a role that invites virtuosity - the conspiratorial asides, the seduction of the audience, the weaponized charm. When he says he “learned a lot about it,” he’s not confessing to darkness so much as acknowledging technique: how to build charisma from cruelty, how to make an audience complicit.
“They have all the fun!” reads as a punchline, but it’s also craft talk. Great villains don’t just break rules; they reveal which rules the hero is trapped inside. Washington’s joke points to a deeper truth about performance: the “fun” is often where the most honest acting lives, because it’s unshackled from being approved of.
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| Topic | Movie |
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