"My room for books and study or for sitting and thinking about nothing in particular to see what would happen was at the end of a hall"
About this Quote
A hallway ending in a private room sounds mundane until Sandburg turns it into a small manifesto. The phrase "room for books and study" offers the respectable alibi: a space for self-improvement, discipline, the kind of inward labor America likes to reward. Then he swerves to the real confession, the one that feels almost mischievous in its plainness: "or for sitting and thinking about nothing in particular to see what would happen". Sandburg is smuggling idleness back into the moral economy, insisting that unstructured time isn’t laziness but a method.
The subtext is about permission. He frames daydreaming as experiment - not a retreat from life but a way to invite it in. "To see what would happen" suggests a faith in the mind’s accidental chemistry: if you sit still long enough, images, sentences, and urgencies show up. For a poet associated with working people and the blunt music of American speech, this matters. He’s not romanticizing a garret; he’s describing a practical workshop where thought can wander without immediately producing a paycheck.
The location does quiet work too. "At the end of a hall" places the room just far enough from the household’s traffic to feel like a borderland. Not exile, not isolation, but a deliberate distance. Creativity here isn’t lightning; it’s architecture: carve out a modest edge-space, close the door, and let "nothing in particular" become the start of something.
The subtext is about permission. He frames daydreaming as experiment - not a retreat from life but a way to invite it in. "To see what would happen" suggests a faith in the mind’s accidental chemistry: if you sit still long enough, images, sentences, and urgencies show up. For a poet associated with working people and the blunt music of American speech, this matters. He’s not romanticizing a garret; he’s describing a practical workshop where thought can wander without immediately producing a paycheck.
The location does quiet work too. "At the end of a hall" places the room just far enough from the household’s traffic to feel like a borderland. Not exile, not isolation, but a deliberate distance. Creativity here isn’t lightning; it’s architecture: carve out a modest edge-space, close the door, and let "nothing in particular" become the start of something.
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| Topic | Book |
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