"My spine healed incorrectly. There were long periods when I'd be perfectly all right, and then there were many other times when I wasn't, when my back would give out and throw me down to the floor amid waves of nauseating pain"
About this Quote
It lands like a stage direction nobody asked for: the body abruptly interrupting the performance. Dick York is describing a spine that healed wrong, but the real subject is unpredictability - the kind that turns a working actor into a hostage of his own anatomy. The line toggles between “perfectly all right” and being “thrown…to the floor,” and that contrast is the point. Pain isn’t steady or cinematic; it’s capricious. It grants you normalcy just long enough to believe in it, then revokes it without warning.
The phrasing does quiet work. “Give out” sounds almost polite, like a machine failing, until the sentence slams into “waves of nauseating pain,” a bodily humiliation that refuses glamour. “Throw me down” strips away control and dignity; it’s not him choosing to stop, it’s his back ejecting him from upright life. For an actor - especially one working in an industry built on reliability, long hours, and the illusion of ease - that loss of control becomes professional and existential. You can’t audition around a spinal roulette wheel.
Context matters: York was a recognizable face in American television, and his departure from Bewitched has long been a pop-culture footnote. This quote reframes that footnote as a medical reality with consequences. The intent isn’t melodrama; it’s a plainspoken attempt to make invisible disability legible, to insist that “fine” can be a temporary costume, not a condition.
The phrasing does quiet work. “Give out” sounds almost polite, like a machine failing, until the sentence slams into “waves of nauseating pain,” a bodily humiliation that refuses glamour. “Throw me down” strips away control and dignity; it’s not him choosing to stop, it’s his back ejecting him from upright life. For an actor - especially one working in an industry built on reliability, long hours, and the illusion of ease - that loss of control becomes professional and existential. You can’t audition around a spinal roulette wheel.
Context matters: York was a recognizable face in American television, and his departure from Bewitched has long been a pop-culture footnote. This quote reframes that footnote as a medical reality with consequences. The intent isn’t melodrama; it’s a plainspoken attempt to make invisible disability legible, to insist that “fine” can be a temporary costume, not a condition.
Quote Details
| Topic | Health |
|---|---|
| Source | Help us find the source |
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