"My style will be management by being on the street, management by walking around. Third persons won't have to tell me what's going on in our city. I'll hear it, I'll see it, I'll touch it myself"
About this Quote
A promise like this is less about shoes on pavement than power on display. Carl Stokes frames “management” as physical presence: not memos, not intermediaries, not the insulated optics of City Hall. The triplet “I’ll hear it, I’ll see it, I’ll touch it” is deliberately sensory, almost prosecutorial, insisting on firsthand evidence in a civic world famous for secondhand stories, filtered complaints, and bureaucratic self-protection. It’s a rhetorical demotion of gatekeepers: “Third persons” aren’t just aides and department heads; they’re the entire machinery that can soften bad news, launder responsibility, or keep leaders distant from consequences.
The subtext is accountability with teeth. Stokes isn’t merely saying he’ll be accessible; he’s warning the system that he intends to catch it in the act. “On the street” functions as a double-edged phrase: it signals solidarity with ordinary residents while claiming the street-level intelligence that political machines and police departments often monopolize. It also answers a deeper skepticism: a city can change mayors without changing how it treats neighborhoods that have been historically ignored.
Context matters because Stokes was governing in an era when American cities were wrestling with segregation’s afterlife, white flight, strained municipal budgets, and deep mistrust between communities and institutions. As one of the first Black mayors of a major U.S. city (Cleveland), he’s also navigating a burden of representation: he can’t afford to sound like another remote administrator. He has to sound like a witness.
The subtext is accountability with teeth. Stokes isn’t merely saying he’ll be accessible; he’s warning the system that he intends to catch it in the act. “On the street” functions as a double-edged phrase: it signals solidarity with ordinary residents while claiming the street-level intelligence that political machines and police departments often monopolize. It also answers a deeper skepticism: a city can change mayors without changing how it treats neighborhoods that have been historically ignored.
Context matters because Stokes was governing in an era when American cities were wrestling with segregation’s afterlife, white flight, strained municipal budgets, and deep mistrust between communities and institutions. As one of the first Black mayors of a major U.S. city (Cleveland), he’s also navigating a burden of representation: he can’t afford to sound like another remote administrator. He has to sound like a witness.
Quote Details
| Topic | Management |
|---|---|
| Source | Help us find the source |
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