"My way was not to be the petite, gorgeous, little cheerleader. My way of getting by was making people laugh"
About this Quote
Johnston’s line lands like a deadpan confession and a quiet indictment of the casting economy. “My way” does double duty: it’s self-protective autobiography, but it also frames Hollywood femininity as a narrow hallway with one acceptable silhouette - “petite, gorgeous, little cheerleader” - and a lot of locked doors for anyone built, styled, or wired differently. The phrase is deliberately reductive, almost cartoonish, because that’s how the industry often packages women: as types first, people second.
The emotional pivot is the blunt pragmatism of “getting by.” Not thriving, not “finding my truth” - surviving. Comedy becomes less a cute talent than a strategy: a way to control the room when the room wants to control you. Making people laugh is a form of agency that doesn’t require permission; it’s a power move disguised as charm. Subtext: if you can’t be the fantasy, be the narrator who punctures it.
Coming from an actress known for sharp-edged sitcom work, the quote also hints at the era’s gendered bargain: women could be loud if they were funny, abrasive if it played as “quirky,” big if they were self-aware about it. Johnston isn’t romanticizing that bargain; she’s naming the workaround. The intent is both personal and political: to reframe comedy not as a consolation prize, but as a deliberate refusal to audition for someone else’s idea of “acceptable.”
The emotional pivot is the blunt pragmatism of “getting by.” Not thriving, not “finding my truth” - surviving. Comedy becomes less a cute talent than a strategy: a way to control the room when the room wants to control you. Making people laugh is a form of agency that doesn’t require permission; it’s a power move disguised as charm. Subtext: if you can’t be the fantasy, be the narrator who punctures it.
Coming from an actress known for sharp-edged sitcom work, the quote also hints at the era’s gendered bargain: women could be loud if they were funny, abrasive if it played as “quirky,” big if they were self-aware about it. Johnston isn’t romanticizing that bargain; she’s naming the workaround. The intent is both personal and political: to reframe comedy not as a consolation prize, but as a deliberate refusal to audition for someone else’s idea of “acceptable.”
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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