"My work schedule has changed over the years. The one constant is, when at work on a novel, I try to work seven days a week, so as not to lose touch with that world. Within that, I'm flexible on hours and output"
About this Quote
Westlake is smuggling a hardline ethic into a sentence that sounds almost casual. Seven days a week: it reads like monastic discipline, but he frames it less as macho productivity than as continuity of immersion. The key phrase is "lose touch with that world" - not "miss my deadline" or "hit my word count". For a novelist, the job is maintaining a live channel to a fabricated reality, and Westlake treats that connection as fragile, something that can go cold if you step away too long. The intent is practical, even defensive: a way to protect the imaginary from the entropy of ordinary life.
The subtext pushes back against the romantic idea that writing arrives on inspiration's schedule. Westlake, a famously prolific crime and comic writer, is talking like a tradesman: show up daily so the machinery stays oiled. But he also refuses the contemporary hustle narrative. "Flexible on hours and output" is a quiet correction to productivity fetishism. He separates frequency from volume, consistency from self-punishment. The point isn't to grind; it's to stay in range.
Context matters: Westlake wrote across decades when many writers relied on steady output to make a living, especially in genre fiction where the market rewards reliability. His method acknowledges that creativity is less a lightning strike than a maintained state. It's a reminder that the real discipline isn't forcing pages; it's keeping the fictional world close enough that, when you sit down, it opens on command.
The subtext pushes back against the romantic idea that writing arrives on inspiration's schedule. Westlake, a famously prolific crime and comic writer, is talking like a tradesman: show up daily so the machinery stays oiled. But he also refuses the contemporary hustle narrative. "Flexible on hours and output" is a quiet correction to productivity fetishism. He separates frequency from volume, consistency from self-punishment. The point isn't to grind; it's to stay in range.
Context matters: Westlake wrote across decades when many writers relied on steady output to make a living, especially in genre fiction where the market rewards reliability. His method acknowledges that creativity is less a lightning strike than a maintained state. It's a reminder that the real discipline isn't forcing pages; it's keeping the fictional world close enough that, when you sit down, it opens on command.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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