"Myth is neither a lie nor a confession: it is an inflexion"
About this Quote
Barthes’s line is a tidy little demolition of the lazy binary that haunts public discourse: true versus false, sincerity versus spin. By insisting that myth is “neither a lie nor a confession,” he refuses to treat ideology as a simple act of deception or a naked outpouring of belief. Myth, in his account, is more slippery and more powerful because it doesn’t need to falsify facts; it only needs to bend their meaning.
“Inflexion” is the key word, and it’s surgical. An inflection doesn’t invent new material, it changes the angle of what’s already there - the tonal shift that makes a statement sound like common sense, nature, destiny. Myth operates like a vocal cadence in culture: it makes the contingent feel inevitable. A photograph, a slogan, a consumer object, a news story can remain technically “accurate” while being rhetorically steered toward a moral. That’s why myth is so durable: it’s not persuasion by argument, it’s persuasion by atmosphere.
The context is Barthes’s mid-century project in Mythologies, written against a France saturated with mass media, advertising, and national self-image. He’s diagnosing how bourgeois values travel incognito, dressed up as neutrality. The subtext is a warning: if you only hunt for “lies,” you miss the more sophisticated operation - the way power smuggles itself into the everyday by changing the intonation of reality. Myth is culture’s stealth mode, making ideology sound like mere description.
“Inflexion” is the key word, and it’s surgical. An inflection doesn’t invent new material, it changes the angle of what’s already there - the tonal shift that makes a statement sound like common sense, nature, destiny. Myth operates like a vocal cadence in culture: it makes the contingent feel inevitable. A photograph, a slogan, a consumer object, a news story can remain technically “accurate” while being rhetorically steered toward a moral. That’s why myth is so durable: it’s not persuasion by argument, it’s persuasion by atmosphere.
The context is Barthes’s mid-century project in Mythologies, written against a France saturated with mass media, advertising, and national self-image. He’s diagnosing how bourgeois values travel incognito, dressed up as neutrality. The subtext is a warning: if you only hunt for “lies,” you miss the more sophisticated operation - the way power smuggles itself into the everyday by changing the intonation of reality. Myth is culture’s stealth mode, making ideology sound like mere description.
Quote Details
| Topic | Truth |
|---|---|
| Source | Unverified source: Mythologies ("Myth Today" essay) (Roland Barthes, 1957)
Evidence: Part II: "Myth Today" (page varies by edition/translation). The line appears in Barthes’s essay "Myth Today" (French: "Le mythe aujourd’hui"), which is Part II of Mythologies. The earliest primary publication is the French book Mythologies (1957, Éditions du Seuil). The well-circulated English wo... Other candidates (2) Cultural Theory and Popular Culture (John Storey, 2006) compilation95.0% ... myth is neither a lie nor a confession ; it is an inflexion . Placed before the dilemma which I mentioned a momen... Roland Barthes (Roland Barthes) compilation36.3% at the public wants is the image of passion not passion itself le monde où lon c |
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