"Nearly all the Brazilian supporters are wearing yellow shirts - it's a fabulous kaleidoscope of colour"
About this Quote
Motson’s line lands as an accidental masterclass in the sports-commentary instinct to turn noise into narrative. Brazil’s canary-yellow shirts are already an iconic visual shorthand for flair, joy, and national identity. By calling the crowd a “fabulous kaleidoscope of colour” while noting they’re “nearly all” in the same yellow, he’s doing two things at once: amplifying the spectacle for viewers at home and smoothing over the literal contradiction. The job isn’t to audit the palette; it’s to sell the scene.
The subtext is broadcast-era persuasion. Motson came up when football on television still carried the feel of an event you were lucky to witness. His language performs wonder. “Fabulous” isn’t information, it’s instruction: you, the audience, should feel dazzled. “Kaleidoscope” adds a kind of childlike glamour, the promise that the crowd isn’t just a mass of bodies but a living artwork. Even if the dominant color is basically one shade of yellow, the metaphor invites you to see motion, variation, and atmosphere.
Context matters too: Brazil supporters are often framed, especially in European commentary, as football’s natural celebrants. Motson taps that mythos, turning a uniform into a carnival. The line is less about accuracy than about televisual mood-setting: a reminder that in big matches, the commentary isn’t merely describing what’s on screen - it’s telling you what it should feel like.
The subtext is broadcast-era persuasion. Motson came up when football on television still carried the feel of an event you were lucky to witness. His language performs wonder. “Fabulous” isn’t information, it’s instruction: you, the audience, should feel dazzled. “Kaleidoscope” adds a kind of childlike glamour, the promise that the crowd isn’t just a mass of bodies but a living artwork. Even if the dominant color is basically one shade of yellow, the metaphor invites you to see motion, variation, and atmosphere.
Context matters too: Brazil supporters are often framed, especially in European commentary, as football’s natural celebrants. Motson taps that mythos, turning a uniform into a carnival. The line is less about accuracy than about televisual mood-setting: a reminder that in big matches, the commentary isn’t merely describing what’s on screen - it’s telling you what it should feel like.
Quote Details
| Topic | Sports |
|---|---|
| Source | Help us find the source |
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