"Neither Rainer Werner, nor any of us could have succeeded, or produced the number of films that we did, just on our own. We showed our films to each other, discussed them vigorously and rarely agreed"
About this Quote
Wenders is puncturing the romantic myth of the solitary auteur with the kind of plainspoken authority only a working director can carry. Set against the legend of New German Cinema, this isn’t a kumbaya tribute to “collaboration.” It’s a correction: the movement’s productivity and formal daring weren’t the product of isolated genius but of a small, friction-filled ecosystem where films were made in public, in front of peers who weren’t obligated to be nice.
The namecheck of “Rainer Werner” (Fassbinder) is doing double duty. It nods to the era’s most prolific figure while subtly revising how we explain that prolificacy. Fassbinder’s output often gets framed as superhuman drive; Wenders reframes it as something enabled by a scene - a network that provided feedback, competition, and the psychic permission to keep going. “Produced the number of films that we did” hints at material realities: scarce resources, improvised production structures, and the necessity of mutual support in a post-studio landscape.
Then comes the real tell: “vigorously and rarely agreed.” Wenders is valuing disagreement as a creative engine, not a problem to be managed. The subtext is that consensus is aesthetically deadening; what matters is the argument - the sharpening of intention, the forcing of choices, the refusal to let a film coast on self-belief. It’s also a quiet political statement: after a generation grappling with Germany’s recent history, the act of disputing each other’s images becomes a form of cultural accountability. Art as a contact sport, not a monologue.
The namecheck of “Rainer Werner” (Fassbinder) is doing double duty. It nods to the era’s most prolific figure while subtly revising how we explain that prolificacy. Fassbinder’s output often gets framed as superhuman drive; Wenders reframes it as something enabled by a scene - a network that provided feedback, competition, and the psychic permission to keep going. “Produced the number of films that we did” hints at material realities: scarce resources, improvised production structures, and the necessity of mutual support in a post-studio landscape.
Then comes the real tell: “vigorously and rarely agreed.” Wenders is valuing disagreement as a creative engine, not a problem to be managed. The subtext is that consensus is aesthetically deadening; what matters is the argument - the sharpening of intention, the forcing of choices, the refusal to let a film coast on self-belief. It’s also a quiet political statement: after a generation grappling with Germany’s recent history, the act of disputing each other’s images becomes a form of cultural accountability. Art as a contact sport, not a monologue.
Quote Details
| Topic | Teamwork |
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