"Nice is different than good"
About this Quote
“Nice is different than good” lands like a friendly correction, then reveals itself as a moral trapdoor. Sondheim isn’t nitpicking synonyms; he’s puncturing a whole social bargain that treats pleasantness as virtue. In his work, especially Into the Woods, “nice” is the currency of safety: say the right thing, don’t make trouble, keep the peace. “Good,” by contrast, is heavier, riskier, and frequently lonely. It requires choices that might offend, disappoint, or complicate the story you’d prefer to tell about yourself.
The line’s power is how calmly it dismantles the myth that manners equal ethics. “Nice” is performance, a surface that can be weaponized: predators can be nice, institutions can be nice, people can be nice while enabling harm. “Good” is harder to fake because it demands consequence. Sondheim, the great anatomist of self-justification, understands that adults often hide behind “niceness” to avoid responsibility: if you’re seen as agreeable, you’re rarely asked to be brave.
Context matters: Sondheim wrote in an America that increasingly prized likability as a civic virtue and in a theater culture where sentimentality sells. His point isn’t that kindness is bad; it’s that kindness untethered from principle becomes decor. The quote endures because it names a modern anxiety: the pressure to be palatable. Sondheim offers an exit, but not a comfortable one. Being good might mean being difficult, telling the truth, breaking the spell.
The line’s power is how calmly it dismantles the myth that manners equal ethics. “Nice” is performance, a surface that can be weaponized: predators can be nice, institutions can be nice, people can be nice while enabling harm. “Good” is harder to fake because it demands consequence. Sondheim, the great anatomist of self-justification, understands that adults often hide behind “niceness” to avoid responsibility: if you’re seen as agreeable, you’re rarely asked to be brave.
Context matters: Sondheim wrote in an America that increasingly prized likability as a civic virtue and in a theater culture where sentimentality sells. His point isn’t that kindness is bad; it’s that kindness untethered from principle becomes decor. The quote endures because it names a modern anxiety: the pressure to be palatable. Sondheim offers an exit, but not a comfortable one. Being good might mean being difficult, telling the truth, breaking the spell.
Quote Details
| Topic | Ethics & Morality |
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