"No harm's done to history by making it something someone would want to read"
About this Quote
McCullough is giving scholarly gatekeepers a polite shove: readability is not the enemy of rigor. The line works because it flips a familiar suspicion on its head. Academic culture often treats “wanting to read” as a warning label, as if pleasure automatically means distortion. McCullough counters with a deceptively modest claim: history doesn’t get hurt by being told well. The subtext is sharper than it looks: if your account can’t hold attention, maybe the problem isn’t the audience’s attention span; maybe it’s your prose, your priorities, or your refusal to select and shape.
His intent is also defensive in the best way. As a popular historian with mass-market success, McCullough spent a career navigating the implied accusation that narrative craft equals simplification. This sentence is a preemptive rebuttal: the “harm” people worry about comes not from scenes, character, and suspense, but from sloppiness with evidence. Style isn’t the sin; carelessness is.
Context matters: McCullough wrote in an American moment when the public consumes history largely through movies, television, podcasts, and museum experiences - storytelling engines that don’t apologize for momentum. He’s arguing that historians should compete on that terrain without surrendering accuracy. It’s a democratic impulse disguised as a craft note: if history is meant to inform civic life, it can’t be written like a private memo for a committee. The sentence is an endorsement of narrative as public service, and a warning that obscurity isn’t the same thing as truth.
His intent is also defensive in the best way. As a popular historian with mass-market success, McCullough spent a career navigating the implied accusation that narrative craft equals simplification. This sentence is a preemptive rebuttal: the “harm” people worry about comes not from scenes, character, and suspense, but from sloppiness with evidence. Style isn’t the sin; carelessness is.
Context matters: McCullough wrote in an American moment when the public consumes history largely through movies, television, podcasts, and museum experiences - storytelling engines that don’t apologize for momentum. He’s arguing that historians should compete on that terrain without surrendering accuracy. It’s a democratic impulse disguised as a craft note: if history is meant to inform civic life, it can’t be written like a private memo for a committee. The sentence is an endorsement of narrative as public service, and a warning that obscurity isn’t the same thing as truth.
Quote Details
| Topic | Writing |
|---|
More Quotes by David
Add to List



