"No man can produce great things who is not thoroughly sincere in dealing with himself"
About this Quote
Lowell’s line smuggles a hard moral demand into what looks like friendly self-help. “Great things” isn’t talent-talk; it’s character-talk. He’s arguing that the bottleneck for serious work is rarely inspiration and almost always self-deception: the little private bargains people make to avoid admitting what they want, what they fear, and what they’re willing to sacrifice. “Thoroughly sincere” is doing the heavy lifting. Not performative honesty, not the curated vulnerability of public life, but the unsparing audit that happens when no one is watching.
The genius of the phrasing is its inward turn. Lowell doesn’t say you must be sincere in dealing with the world; he targets the more slippery arena where we’re best at rationalization. “Dealing with himself” sounds transactional, even legalistic, as if the self is both client and counsel. That choice quietly indicts the 19th-century American faith in hustle and moral uplift: you can build railroads and reputations, but the real con is the one you run on your own motives.
Context matters. Lowell, a poet and public intellectual in an era of reform movements and civic sermonizing, saw how easily noble language could mask vanity, careerism, or cruelty. The line reads like a rebuke to the respectable fraud: the person who wants greatness without the humiliations that precede it - doubt, revision, ethical clarity. It’s also a warning to artists. A poem, like a politics, can’t outgrow the honesty of the person making it. If the self is compromised, the work will be, too.
The genius of the phrasing is its inward turn. Lowell doesn’t say you must be sincere in dealing with the world; he targets the more slippery arena where we’re best at rationalization. “Dealing with himself” sounds transactional, even legalistic, as if the self is both client and counsel. That choice quietly indicts the 19th-century American faith in hustle and moral uplift: you can build railroads and reputations, but the real con is the one you run on your own motives.
Context matters. Lowell, a poet and public intellectual in an era of reform movements and civic sermonizing, saw how easily noble language could mask vanity, careerism, or cruelty. The line reads like a rebuke to the respectable fraud: the person who wants greatness without the humiliations that precede it - doubt, revision, ethical clarity. It’s also a warning to artists. A poem, like a politics, can’t outgrow the honesty of the person making it. If the self is compromised, the work will be, too.
Quote Details
| Topic | Honesty & Integrity |
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