"No man surely has so short a memory as the American"
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A nation built on reinvention is also a nation allergic to remembering, and Davis twists that trait into a quiet indictment. “No man surely has so short a memory as the American” isn’t just a jab at individual forgetfulness; it’s a diagnosis of a civic habit. The line is compact, almost conversational, but the “surely” does sly work: it pretends the judgment is obvious, common sense, beyond debate. That rhetorical shrug is the sting. Davis isn’t arguing; she’s sentencing.
The subtext is about what short memory buys you. Forgetting can look like optimism, the famous forward-leaning American posture: the next town, the next deal, the next election, the next moral panic. But Davis implies a darker convenience. A short memory makes it easier to repeat errors without shame, to rebrand old injustices as fresh controversies, to treat hard-won lessons as optional lore. It’s not ignorance so much as a cultural preference for amnesia when memory becomes inconvenient.
Context matters because Davis wrote in a period when the country’s self-mythology was hardening: progress as destiny, expansion as virtue, novelty as proof of superiority. Against that backdrop, “the American” becomes a type, a character in a national story who keeps skipping chapters to stay heroic. The line works because it punctures the romance of perpetual newness. Davis suggests that a society obsessed with beginnings will always struggle with consequences, and that the cost of constant reinvention is a history that never gets fully faced.
The subtext is about what short memory buys you. Forgetting can look like optimism, the famous forward-leaning American posture: the next town, the next deal, the next election, the next moral panic. But Davis implies a darker convenience. A short memory makes it easier to repeat errors without shame, to rebrand old injustices as fresh controversies, to treat hard-won lessons as optional lore. It’s not ignorance so much as a cultural preference for amnesia when memory becomes inconvenient.
Context matters because Davis wrote in a period when the country’s self-mythology was hardening: progress as destiny, expansion as virtue, novelty as proof of superiority. Against that backdrop, “the American” becomes a type, a character in a national story who keeps skipping chapters to stay heroic. The line works because it punctures the romance of perpetual newness. Davis suggests that a society obsessed with beginnings will always struggle with consequences, and that the cost of constant reinvention is a history that never gets fully faced.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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