"No matter how famous and established they were or however blessed they were with great songs or long careers, if they lived alone, they lived alone. That's not the way I wanted to live prior to the tour or after"
About this Quote
Fame, in Brickell's telling, is a lousy roommate. The line punctures the glossy mythology that success automatically comes with a full life: you can have the catalog, the accolades, the long career arc, and still end up eating dinner in silence. The blunt repetition - "they lived alone, they lived alone" - works like a drum hit: not poetic, not coy, just a fact you can’t outshine. She’s stripping celebrity down to its most ordinary consequence, the one public narratives usually edit out.
The context matters because touring is the industry’s most efficient loneliness machine. It’s structured intimacy with strangers and structured distance from anyone who actually knows you. You’re surrounded every night and missing home every morning. Brickell is also quietly pushing back against the rock-and-roll script that treats solitude as a badge of artistic seriousness. Here, living alone isn’t romantic; it’s an outcome that can happen even to the "blessed", which is her sly way of saying it isn’t about merit. It’s about logistics, incentives, and the way work colonizes a life.
Subtext: she’s choosing a different definition of success, one that can’t be measured in ticket sales. The quote reads like a preemptive boundary-setting before a tour - a reminder that the job can be thrilling without becoming the organizing principle of existence. Brickell isn’t moralizing; she’s naming the trade-off and refusing to pretend it’s glamorous.
The context matters because touring is the industry’s most efficient loneliness machine. It’s structured intimacy with strangers and structured distance from anyone who actually knows you. You’re surrounded every night and missing home every morning. Brickell is also quietly pushing back against the rock-and-roll script that treats solitude as a badge of artistic seriousness. Here, living alone isn’t romantic; it’s an outcome that can happen even to the "blessed", which is her sly way of saying it isn’t about merit. It’s about logistics, incentives, and the way work colonizes a life.
Subtext: she’s choosing a different definition of success, one that can’t be measured in ticket sales. The quote reads like a preemptive boundary-setting before a tour - a reminder that the job can be thrilling without becoming the organizing principle of existence. Brickell isn’t moralizing; she’s naming the trade-off and refusing to pretend it’s glamorous.
Quote Details
| Topic | Loneliness |
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