"No matter how heinous someone's behaviour, if you make them a comic character, you can't expect people to hate them"
About this Quote
Comedy is a laundering machine: once you turn a monster into a character, the audience starts paying attention to their timing, their quirks, their little human glitches. Morris is pointing at a structural problem, not a moral one. The joke format demands recognition before it delivers distance. You can mock a person’s ideology, but the moment you give them a rhythm, a catchphrase, a recognizable silhouette, you’ve begun the work of making them legible. Legibility is the first step toward affection, or at least tolerance.
The line carries the chilly pragmatism of someone who has spent a career weaponizing satire and watching it misfire. Morris’s own work (from Brass Eye to Four Lions) lives in the danger zone where the target can walk away with the most memorable lines. Satire promises catharsis: laugh at the powerful, puncture the mystique. Morris warns that puncturing mystique can also create a new one. A buffoon is still a star; a recurring character is still invited back.
The subtext is an indictment of the audience as much as the artist. People don’t just consume jokes; they form parasocial bonds with personas, even grotesque ones, because comedy trains us to reward familiarity. Turn “heinous behavior” into a comic engine and you risk shifting the viewer’s attention from the harm to the performance. The villain becomes “funny,” and funny is disarmingly close to forgivable.
The line carries the chilly pragmatism of someone who has spent a career weaponizing satire and watching it misfire. Morris’s own work (from Brass Eye to Four Lions) lives in the danger zone where the target can walk away with the most memorable lines. Satire promises catharsis: laugh at the powerful, puncture the mystique. Morris warns that puncturing mystique can also create a new one. A buffoon is still a star; a recurring character is still invited back.
The subtext is an indictment of the audience as much as the artist. People don’t just consume jokes; they form parasocial bonds with personas, even grotesque ones, because comedy trains us to reward familiarity. Turn “heinous behavior” into a comic engine and you risk shifting the viewer’s attention from the harm to the performance. The villain becomes “funny,” and funny is disarmingly close to forgivable.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Help us find the source |
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