"No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon"
About this Quote
Ware lands a quiet gut-punch on the prestige hierarchy of culture: cartoons are expected to be instantly legible, and when they aren’t, the audience doesn’t assume depth - it assumes failure. That’s not just a complaint about taste; it’s a diagnosis of how “seriousness” gets policed. A painting can be obscure and still earn the benefit of the doubt, because the museum, the frame, the price tag, the myth of “fine art” all whisper that confusion is part of the experience. A cartoon, by contrast, arrives with the baggage of the funny pages: quick, disposable, supposed to deliver on the first read. If it asks for patience, the ask itself is treated as a broken promise.
The subtext is Ware defending comics as a medium that can carry complexity without apologizing for it. His work - formally intricate, emotionally exacting, often about loneliness and memory - is built to be reread, to make you work a little. He’s pointing out that the same viewers who pride themselves on “getting” abstract art may refuse to extend that generosity to drawn panels because the form has been culturally coded as kid stuff or gag delivery system.
Context matters: Ware emerged during the alternative-comics boom and the long push to rebrand comics as literature. His line isn’t elitist; it’s strategic. He’s arguing that misunderstanding should sometimes be a doorway, not a verdict - and that our snap judgments say as much about our training as they do about the cartoon in front of us.
The subtext is Ware defending comics as a medium that can carry complexity without apologizing for it. His work - formally intricate, emotionally exacting, often about loneliness and memory - is built to be reread, to make you work a little. He’s pointing out that the same viewers who pride themselves on “getting” abstract art may refuse to extend that generosity to drawn panels because the form has been culturally coded as kid stuff or gag delivery system.
Context matters: Ware emerged during the alternative-comics boom and the long push to rebrand comics as literature. His line isn’t elitist; it’s strategic. He’s arguing that misunderstanding should sometimes be a doorway, not a verdict - and that our snap judgments say as much about our training as they do about the cartoon in front of us.
Quote Details
| Topic | Art |
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